Reviews

Gregor Samsa feels trapped and desperately unhappy in his job as a salesman. Needing to support his parents and sister, he can see no logical escape. Then by some miracle he finds an illogical one—by transforming into a giant insect.

Meticulously stylised, combining elements of puppetry, clowning, cartoon and physical theatre, The Street’s production of Metamorphosis is both gorgeous to look at and thought provoking. This version strips back some of Berkoff’s 1970s styling to hark back to the magic realism and eastern European flavour of Kafka’s novella.

Bangarra Dance Theatre’s 30th anniversary opening night performance at QPAC was a welcome homecoming for Artistic Director, Stephen Page and many of his dancers, who are also Queensland-born. The title of the piece sets its theme clearly in celebrating our rich indigenous history. Each piece in this three-act performance showcases the versatility of Bangarra’s ensemble of 17 dancers in interpreting very different choreography styles.

Ireland has trauma etched into its landscape. You can barely move without stumbling over the site of an ancient massacre or plaque commemorating heroes of the Troubles. A sense of injustice seeps through the ruins and stones like a heavy mist. That oppressive tone and a resulting spark of rebellion permeates Echo Theatre’s production of Belfast Girls, as five women discover and bridle against the class politics that have given rise to their personal tragedies and drive them into extraordinary choices.

Ben Travers’ Rookery Nook is one of the great ‘Aldwych’ farces, and has remained a ‘hit’ with audiences ever since it was first produced in London in 1926. This tradition most certainly continues in this delightful new production by the Tea Tree Players.