Reviews

The Gospel According to Paul

Written and performed by Jonathan Biggins. Playhouse Theatre, Queensland Performing Arts Centre (QPAC) Brisbane. 20 to 24 October 2021

Jonathan Biggins is back as Paul Keating in his self-penned showcase of political wit and wisdom: The Gospel According to Paul. And the laughs are very welcome indeed, after sold-out shows in Sydney, and several pesky postponements in Brisbane. Biggins presents his evening with Keating as not so much a dinner speech but rather a private salon with the man himself: yes, there are plenty of laughs, but he gives the character heart and soul as well.

Bite the Hand

By Chris Isaacs. The Last Great Hunt. Directed by Matt Edgerton. Subiaco Arts Centre, WA. Oct 12-23, 2021

Bite the Hand is a fascinating play, presented by The Last Great Hunt to full houses at the Subiaco Arts Centre.

When Alice the dog is given human consciousness, it is an exciting time for her owners Sam and Dale, helping to lift Dale’s long-term depression; but as Alice learns and develops, exceeding the expectations of instructor Wes and surpassing the abilities of his dog Rex, she begins to question her place in the world.

David Bentley Trio with Shenzo & Danielle

Restrung Festival. New Benner Theatre, Metro Arts, Brisbane. 16 October 2021

The Metro Arts Restrung Festival 2021 featured seasoned and emerging talent from Brisbane's classical and electronic music scenes, blended in a vibrant three days of theatre performances, pop-up gigs, free rehearsals and visual arts. The David Bentley Trio, well known on Brisbane's jazz circuit, these days features the Brisbane-born but internationally renowned Bentley on keys, with fellow Brisbane luminaries Andrew Shaw on double bass and Nathan Goldman on drums. Goldman is a brilliant drummer, keeping time no matter what the style, and Shaw's bass was on groove throughout.

Twelfth Night or What You Will

By William Shakespeare. ShakesBeer. Directed by the cast. Townshend Theatre, Irish Club of WA. Oct 15-16, 2021

ShakesBeer is a lively company of Shakespeare aficionados. Their productions aim to more closely resemble the performance conditions of Shakespeare’s time. The experienced troupe of performers are given minimal rehearsal time and work without stage lighting and sets. Like some companies of the time, who performed in inns and taverns, this production is performed cabaret style, and the bar remains open throughout the performance, allowing audience members to avail themselves of an ale.

Bespoke

Queensland Ballet. Paul Boyd – Caravanserai. Natalie Weir – Fallen. Jack Lister – Mind Your Head. Rani Luther – From.To.Here. Gardens Theatre, 8-17 Oct 2021

What an exhilarating afternoon of dance Bespoke was. As Li Cunxin said in his program note, ‘there’s always a sense of excitement in the air around Bespoke time,’ Queensland Ballet’s annual contemporary dance season, and this year was no exception. I don’t know whether it’s because this is the first time in two years they’ve staged a Bespoke season, or we were all celebrating that it was good to have it back.

The People Of Cabaret: We Are Here

Melbourne Fringe Festival. Oct 16 and 17, 2021

They are here for the Digital Fringe Festival 202I - People of Cabaret is an organisation dedicated to supporting and nurturing artists who are indigenous and/or Bla(c)k and/or people of colour. They are united in spirit and are committed to building an arts platform for all their artists to thrive in.

#txtshow (on the internet)

Melbourne Fringe Festival. Sep 30 – Oct 17, 2021

Do you believe the title of this show begins with a hashtag?

Yes, it is the real title, and it is more than just your average experimental fringe theatre show. It is a show on Zoom. Now l am sure we are all sick to death of Zoom, especially after our 2021 lockdown, but hold your horses, this show is more than Zoom. It is an online chat room with your friends /audience directing the man on your screen (Barry Feldman) via text messages. Or is he directing us? We as audience members remain anonymous to all other audience members except to our friends.

#txtshow (on the internet)

Melbourne Fringe Festival. Sep 30 – Oct 17, 2021

Do you believe the title of this show begins with a hashtag?

Yes, it is the real title, and it is more than just your average experimental fringe theatre show. It is a show on Zoom. Now l am sure we are all sick to death of Zoom, especially after our 2021 lockdown, but hold your horses, this show is more than Zoom. It is an online chat room with your friends /audience directing the man on your screen (Barry Feldman) via text messages. Or is he directing us? We as audience members remain anonymous to all other audience members except to our friends.

That One Time I Joined the Illuminati

Created & performed by Lou Walls. Music by Lou Walls & James Gales. Melbourne Fringe Festival – Digital Fringe. 13 – 17 October 2021

If you’re making a digital show to go into an online festival, you might as well go all the way.  This show does that.  It’s only award-winning Lou Walls’ second foray into digital theatre – and it’s slick, accomplished, fast and crazy.  There are original songs of course, as we’d expect from a composer/songwriter.  There is much complicated explanation and exposition delivered at head-spinning speed.  Maybe too head-spinning.  Who could take it all in?  We can’t and neither can Walls. 

The Sorcerer

By Gilbert and Sullivan. Gilbert and Sullivan Society of WA. Directed by Paul Treasure. Dolphin Theatre, University of Western Australia, Nedlands, WA. Oct 14-23, 2021

The Sorcerer, Gilbert and Sullivan’s early full-length collaboration, is one of the less frequently performed G&S shows, and is currently being performed by the Gilbert and Sullivan Society of WA, to capacity audiences.

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