Reviews

Not even the wrath of the elements could dampen the enthusiasm and warmth of the Adelaide Repertory Theatre’s latest production, We’ll Always Have Paris!

Two desperate people – unknown to each other - look into their mirrors.  What do they see?  Not themselves, but a version of themselves that might – just might – get them a job.  Any job.  Both are preparing for an interview.  Both are rehearsing an acceptable persona.  Each feels their real identity is disappearing.

The Cripple of Inishmaan is set in 1934 on a small island just off the west coast of Ireland.  Right from the get-go the clever set design captures the audience’s attention.  There is lovely stonework, lots of wooden panelling and an excessive number of bright green tins of peas on the shelves. There’s also an elevated bedroom which is cleverly recycled and even a small boat waiting at the jetty down stage left for one of the most pivotal scenes.

Footloose is a fun, bright musical and is probably Art in Motion’s best musical to date. A great nostalgia trip, it is presented with a great sense of verve and enthusiasm.

Central character Ren is played with great energy and a clear commitment to the role by Matthew Walford, with Maree Stedul very impressive has his mother Ethel. Their arrival in small town Bomont, a town that bans dancing, is the catalyst for action for this show, based on the 1984 film of the same name.