Henry IV

Graduate Dramatic Society (GRADS)’ production of Henry IV combines Shakespeare’s Henry IV Parts One and Two into a single play. Played in the Shakespearian proportioned New Fortune Theatre, this modern dress production has a slimmed down story.

As hinted in GRADS’ poster, this epic story tells of King Henry facing off against Hotspur, while heir to the throne Hal is drinking with Falstaff. Combining themes of loyalty and war with a coming-of-age story.

Grant Malcom, with beautiful bearing and powerful projection makes a worthy Henry IV, and in many ways, it is a shame he doesn’t have more stage time. He is particularly strong in the father and son moments with Fraser Whitely as Prince Hal, who captures the immature Prince well. Nic Doig is strong as second son John, also playing Poins - a doubling that may cause confusion.

Grace Edwards is strong as Falstaff, a believable rebel, with power and conviction, who can also wield a sword when needed. Anna Head is a believable Westmoreland and has fun doubling as Doll Tearsheet.       

Michael Lamont is well cast and relaxes well into the role of Falstaff, nicely supported by Joanne Lamont as Mistress Quickly and Andreas Petalas, who is kept running (literally) as Francis.

The supporting cast are strong, with Jason Dohle being a standout, and showing some impressive sword play.

Director Patrick Downes has used the space creatively, with action in the ale house taking place on the floor - stealing some audience space, bringing the action literally down to the common people, creating some very intimate scenes. Lighting Designer Fiona Reid provides a supportive and emotive lighting scheme, while Merri Ford’s costumes use color to effect and are an interesting blend of modern with traditional touches.

While three hours is a little long in plastic chairs, the adaptation is sound and there are some excellent performances to enjoy. Well worth the time for Shakespeare fans.

Kimberley Shaw