The Hatpin

This relatively new Australian musical by WAAPA graduates Peter Rutherford and James Millar is being performed for the first time in Western Australia at the atmospheric and era-appropriate Old Mill Theatre in South Perth.

Darkly themed, it is inspired by the true story of Amber Murray, who in Sydney in 1892, put her infant son in to the care of the Makin family, with tragic results. The Hatpin has the dark themes and musical feel of a Sondheim musical, with harmonies as complex as those of Richard Rodgers. It is hugely challenging both emotionally and musically and a fascinating journey for the audience.

Most of the cast, especially the younger women, handle the challenges of this show with ease. Sarah Cosstick, is lovely in the central role, inhabiting the luckless young mother beautifully and singing wrenchingly from the heart. The trio of young women who have been 'in trouble' (Danni Close, Hayley Currie and Sarsi Elsberry) maintain beautiful harmonies and clearly establish their own stories. Madeleine Shaw plays the strange Clara Makin in an unnerving performance and her delivery of the title song, the climax of the story, is excellent.

Agatha and Charles Makin are well played by Andrea Van Bertouch (making a welcome return to the stage after a lengthy absence) and Angelino Schintu, who create a formidable team and disturbingly believable characters.

Judi Johnson plays Harriet Piper with rough kindness and finds much of the comedy in the role. Adam Salathiel gives authority to the role of Justice Stephen while Tim Prosser gives credence to the show-pony defence barrister. There is a promising stage debut from Nicholas Cruse and a West Australian debut for Mitchell Crouch, both doing well in minor roles. David Cosgrove and Luke Heath nicely round out the cast.

Thoughtfully blocked by director Graeme Johnston, the show is performed on an almost bare stage, nicely designed by Ben Davis. The backdrop, a Sydney street, painted by Tim Prosser, with almost photographic realism, is amazing. Danni Close's film montage helps to create the period.

The unseen six-piece orchestra, conducted by Paul Lawrence Olsen, plays to a very high standard.

The Hatpinis an intriguing and interesting show, with some excellent talent and a must-see for those with an interest in Australian music theatre.

Kimberley Shaw