Reviews

In the first few moments of West Australian Opera’s latest production, a collection of gorgeously attired forest animals crawl, slide and bound on to the stage. It is the first sign that The Cunning Little Vixen is not your usual opera.

As this rather discombobulating play begins and you try to get a handle on it – or at least a reference point in the ‘real world’- you might be thinking, ‘Yasmina Reza… meets Harold Pinter?’  There is the polite bourgeois surface – about to be disrupted; there is the sense of imminent menace.  A previous reviewer cited Joe Orton and Rosemary’s Baby.  All these apply – and then some.  Meaning or comprehension keep dissolving, slipping away.  The seemingly banal becomes bizarre.  Normal social niceti

PTI’s production of Disney Beauty And The Beast is a ground-breaking initiative. The entire production team, on and off stage, are aged between 6 -27 years old. This is Next Gen Theatre in action.

Kaleidoscope is a unique, lyrical circus experience that challenges the audience to change the way they see the world around them.

The performance centres on 13-year-old Ethan Hugh, who was diagnosed with Asperger Syndrome when he was four. Ethan describes his world as an influx of information coming at him, a bit like having Wi-Fi with an intermittent signal, yet amongst the chaos and confusion, he sees the world as a kaleidoscope of changing colours, finding beauty in the smallest things.