Grease

Grease
By Jim Jacobs and Warren Casey. Tall & Short Theatre Co. Sutherland Arts Theatre. February 14 – 23, 2025

It’s a Tall order to put your own stamp on such a well known and loved musical but Benjamin May has certainly managed it. 

Grease by Tall & Short Theatre was a rollicking rollercoaster that sent the audience on a dazzling trip back to the fabulous '50s. With its explosive energy and infectious spirit, the production captured the heart and soul of rock 'n' roll. 

There were some notable differences, a lot less Americana, minimalist sets and some edgier choices that made this one feel a bit grittier, some dated jokes played down or with a different feel. It all worked well and those Pink Ladies’ leathers look like they came straight from the recent Sydney production. They were gorgeous. In fact the whole wardrobe team needs a pat on the back. The costumes (Raelene Jones & Athena Madams ) were really well considered. But I digress, it’s safe to say this production is safe with duo Benjamin May & Isabella Gallant at the helm. Looking at the program both May and Gallant wore many hats to bring this production to the stage and it was well worth the work. I was also sitting near the production team and it was really lovely to see them celebrating some of the moments when the cast were really nailing it. 

Danny Zuko (Luke Bevan) got the audience wrapped around his leather jacket-clad finger from the start while Sandy (Phoebe Barnett), the sweet, innocent girl next door coming of age, held the audience in her hand. 

The pair captured 1950s high school nostalgia while allowing their characters to evolve. They drew the audience into the world of young romance and rebellion in a post-war era. Bevan had the swagger and charm associated with the quintessential greaser, tough yet vulnerable as he grapples with love and identity. While Barnett perfectly balanced naïveté with newfound confidence, her transformation won the audience as she embraced herself. Their duets and solo numbers seamlessly interweaving energy and emotion amidst the vibrant backdrop of the rock 'n' roll era. I particularly enjoyed Barnetts solos. 

The T-Birds nailed the cool, greased-up vibe with their antics. Sonny (John Tracy), as the comical sidekick, gathered plenty of laughs, while Doody (Gerard Gaffney) was lots of fun as the lovable goof with a guitar alongside mischievous Roger (Izzy Tilden) who’s infectious humour often had the audience laughing. Kenickie (Max Fernandez) has his hands full leading these T-Birds. It doesn’t help that he’s ultimately hapless as the tough right-hand man who is a lovable marshmallow under all that leather. 

Still, everyone knows those pink ladies rule the school, raising the bar with their sass and style led by the feisty, outspoken Rizzo (Isabella Rodrigues), who we later see a softer side to in a poignant showstopper by Rodrigues. Beauty school dropout Frenchy (Lauren Mitchell), whose big dreams and optimism make her a crowd favourite, has some beautiful moments as she struggles with her identity. Jan's (Holly Sears) antics and timing make for some great comic relief alongside fashionista boy-crazy Marty (Aisha Amesbury). 

Teen Angel and Vince Fontaine (Michael Astill) are both roles stamped in Grease history and are often undertaken by big names in shows, cementing them in our memories. Astill fits the bill as the smarmy Fontaine and everyone’s favourite Angel. He has a remarkable presence in both roles and the vocal chops to match bringing the audience to spontaneous applause. 

Notable Rydell High performances also came from frazzled Miss Lynch (Nicole Higgins), perky almost villainous Patty Simcox (Emma King) and lovable Eugene (Jacob Minchew) while Cha-Cha (Grace McDonald), “the best dancer at St. Bernadette’s”, had all the sass and strut, and McDonald certainly has the moves. 

Musically, this production was as rockin' as a Fender Stratocaster solo. Classic hits like "Summer Nights," "Greased Lightning" and "You're the One That I Want" were buzzing in the auditorium. The band (Nick Drescher, David Russell, Kane Wheatley/ Mitch Brown, Pamela Withnall, Daniel Blacnh, Ed Kirchschlager / Richard Coward & Max Moessis) laid down grooves that made feet tap and heads bop, reviving the iconic tunes with the ferocity of a live rock concert. 

The cast's vocal performances were vibrant and spot-on, with Ensemble members Aurora Pelizzari, Charli Garbutt, Charlotte Foard, Ella Rapley, Jasmine Hardwick, Joanne Kurniawan, Kaitlin Halls, Lucy Madams and Tamika Jones creating harmonies as tight as a drumhead while moving set pieces and filling out big dance numbers. 

Nostalgia was the secret sauce infused throughout, capturing the carefree spirit of a time when jukeboxes ruled, and poodle skirts twirled. The vintage costumes, clever set designs (Wade Madams) and lighting choices (Tomas Gerasimidis) transformed the stage into a slice of '50s America, and the audience was more than happy to take that trip.

From the toe-tapping dance numbers to the witty one-liners, Grease sparkled with light-hearted humour and a cheeky spirit. The energetic choreography had everyone groovin'. By the show's end, the audience had lived out their rock 'n' roll dreams. This production of Grease was a full-throttle joyride. 

For anyone in love with nostalgia and rock 'n' roll, this production was the perfect blast from the past—an electrifying experience!

Nicole Smith

Images: Anthony Stone Photography,

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