Grand Horizons

Grand Horizons, currently being performed by Castle Hill Players under the direction of Jason Darlington and AD Leigh Scanlon, is a remarkable portrayal of family dynamics, love, and the complexities of long-term relationships. The play, written by Bess Wohl, deftly combines humour and heartache, offering audiences a relatable exploration of life's unpredictable turns.

We watch as Nancy and Bill begin a routine of married life; they seem to know each other so well, a chair pulled out here, drink poured there; Nancy likes a cushion on the kitchen chair, and Bill anticipates the need without a word. It’s an unspoken dance of synchronicity recognised well, judging by the audience's early response. 

As the audience is drawn into the unfolding drama, when Nancy asks for a divorce, the storyline centres around them—a couple navigating the unexpected upheaval of their seemingly idyllic 50-year marriage. 

Darlington's vision ensures that the humour never undermines the play's deep emotional core; each actor shines. They are brilliantly capturing the raw emotions that underpin the characters' interactions. Performances balance comedic timing with poignant, heartfelt moments. 

Family matriarch Nancy (Kate Mannix) is a complex character. Nancy has grace, wit, a yearning for independence, and to be loved. She sets this change on course, bringing the whole family into crisis mode. Mannix is a standout performance as she lets her family into her internal struggles and desires. Her comedic timing shines, offering levity while capturing a woman's journey of reclaiming her identity as more than wife and mother. 

Bill (Stephen Snars) is a man, comfortable with routine, whose world is suddenly upended. Snars skillfully balances the character's bewilderment with moments of introspection. His ability to convey Bill's vulnerability and confusion makes the audience empathise with his character's plight. We were sometimes torn between whose side we were on until we realised they all had a journey to take. 

As one of their sons, Ben (Ben Wheeler), is a blend of frustration and love for his parents, there is a beautiful duality, rendering a comical and heartwarming character. His interactions reflect the generational tensions and affection that define many familial relationships.

Their other son, Brian (Brett Joachim), provides a contrasting perspective. He delivers a vibrant performance, often humorous and dramatic, adding energy and drama to the family dynamic. His character's flamboyance and dramatic responses provide light humour, but the emotional turmoil is sincere. 

Ben's wife, Jess (Kimberley Smith), is a mediator attempting to navigate her in-laws' upheaval. Smith offers a deeply relatable portrayal, patience and understanding. Her presence adds a sense of normalcy and balance, but even poor Jess has her limits with some family Shenanigans. 

A surprising character who shakes up the narrative, Carla (Jennifer Leslie) brings a mystery to its conclusion. Leslie embraces her role with confidence and charisma, making Carla intriguing and impactful, crucial to the plot's development. The audience loved her to bits. 

Tommy (Hamish Davie) is a supporting role, and his comedic abilities are evident, ensuring that Tommy's inclusion enhances the narrative without overshadowing the central themes.

The set design is noteworthy, transforming the stage into a believable depiction of retirement domestic life that complements the exploration of family and comfort—the attention to detail in the set dressing (Abby Bishop and Leigh Scranton) immerses audiences in a familiar, lived-in world. The stage lights are all functional, and the detail of the drinks being poured and consumed adds more realism. Although I do question how much vodka is poured in one scene.

Now, while I’d love to throw out a massive spoiler, I will give an enthusiastic nod to Stephen Snars, Chris Lundie and director Jason Darlington for special effects; you’ll see why when you watch the show. It’s a showstopper. 

Darlington’s musical soundtrack is also a treat, taking a trip down memory lane and inserting some cheeky tunes you’ll recognise from popular culture. It’s hard not to hum along while watching transitions take place. 

The production offers a perfect blend of laughter and introspection, entertaining an evening while profoundly resonating with its audience. It's a must-see for those who appreciate theatre that challenges and entertains equally.

Nicole Smith 

Photographer: Chris Lundie.