Glorious!

Glorious! at the Pavillion Theatre is a delightful and heartwarming rendition of Peter Quilter's comedy, brought to life under the skilful direction of Meredith Jacobs.

This production immerses the audience in the eccentric world of Florence Foster Jenkins, an American socialite portrayed brilliantly by Kate Mannix. The real-life Jenkins was famously known as "the worst singer in the world". Mannix captures her earnest passion and unwavering confidence with charm and humour. Her portrayal is endearing and hilarious, inviting audiences to root for this indomitable spirit. Despite her lack of musical talent, there is so much heart that it is impossible not to want to see her succeed in her dreams.  Mannix is a lot to watch. 

As the play unfolds, we trace Madame's (as she is known) journey through a recording at Melotone Studios and a self-funded annual bash she meticulously organises, skilfully interviewing every attendee to filter out potential 'critics'. The play concludes with her astounding finale at Carnegie Hall in 1944, where she performed before a packed audience of 3,000. By all accounts, this remarkable performance could have sold out multiple times. 

Julian Floriano shines as Cosme McMoon, Jenkins' patient and bemused accompanist. Floriano has a knack for subtle comedy, and his chemistry with Mannix creates an engaging onstage partnership filled with a balance of bewilderment and camaraderie but, ultimately, respect and fondness. In his closing remarks, he truly understood her. He plays this part of the narrator in part, and his insight into the eccentric socialite is genuinely moving. I enjoyed determining if Floriano was on the keys, but I realised he was not when he never turned a page. Apart from that he was bloody convincing, but credit must go to Mark Pigot, who recorded the accompanying music. 

As Florence's devoted partner, St Clair, Chris Lundie crafts a character reminiscent of 40’s leading man. He is supportive and slightly bemused by Jenkins' flamboyant dreams and she adores him. 

Annette Snars delivers a delightful performance as Dorothy, a true admirer and friend to Madame. Snares infuses the character with humour and an exuberant zest for life. Her dual contribution as the costume designer is also noteworthy, especially with the creation of Jenkins' iconic angel costume for the Carnegie Hall finale, a nod to the historical performance that is both accurate and whimsically extravagant.

Kimberlea Smith, as Maria, the maid, adds a layer of comedic relief with her expressive reactions, faithful service, and an entire script in Spanish. Some of the jokes at Maria’s expense are stereotyped, but that said, the audience enjoyed them, and Smith delivers. 

As Mrs Verrinder-Gedge, Dianne Darlington provides the perfect foil to the rest of the cast; her stern demeanour and critical outlook (not to mention horrified facial expressions) add a touch of reality to the otherwise dreamy narrative.

Denise Winters and her stage management team work hard with Trevor Chaise’s set effectively transporting the audience to 1940s New York. The set is simple in reds and pops of floral arrangements, relying on movement of set pieces on wheels and smooth transitions to maintain the play's lively pace. Set pieces include a stunning grand piano Chaise concealed cleverly within the walls in the early parts of the show. 

I wondered how much of this story is based on history and what is embellished in Quilter's script. It is a pretty exceptional performance that drives one to the history books. 

Glorious! is a triumphant celebration of one woman's pursuit of her dreams against all odds. Under Jacobs’ direction, Castle Hill Players deliver a production that is a testament to the power of passion, friendship, and the importance of embracing one's unique path—a must-see for those who appreciate humour, heart, and a bit of musical whimsy. Bravo! 

Nicole Smith

Production photos by Chris Lundie/Meredith Jacobs