The Full Monty

The Full Monty
By Simon Beaufoy. Wanneroo Repertory. Directed by Phil Bedworth. The Limelight Theatre, Civic Dve, Wanneroo, WA. May 26 - Jun 11, 2022

Wanneroo Repertory’s The Full Monty has certainly been popular with audiences, selling out before it opened. Featuring a cast of 23, this comedy set in Sheffield is very similar to the film of the same name - and contains just enough naughtiness to keep the audience on their toes. Directed by Yorkshireman Phil Bedworth (who also plays one of the major roles) there is a good understanding of time and place.

Playing on a very impressive multi-level set designed by the director, the show is effectively lit from a design by Mitch Byrne and Peter Giles. While scene changes early in the run could have been more slick, the ability to move through 20 different scenes in almost as many locales was effective. There is a well selected sound design by Reynold Baker and Phil Bedworth. Costumes are effective, and although they don’t always feel Thatcher era Britain, they are character appropriate. 

Nigel Goodwin plays central character Gaz, who decides that male stripping may be his key to earning enough money to pay his child support and maintain access - a solid and likeable performance. Director Phil Bedworth plays best mate Dave with lovely characterisation. Chris McCaffery beautifully captures the journey of conservative former foreman Gerald - great choice for this role. Lynden Hughes is believable as awkward security guard Lomper, working nicely with Chris Dolkens who is strong as confident, good-looking Guy. Eddie Stowers quickly becomes an audience favourite as the oldest member of the troupe, Horse. There is great camaraderie between this team of want-to-be strippers, and they work well as a team. 

Gaz’s son Nathan was played with great spark and personality on Opening Night by Nate Garnett (he alternates with James Low). His mum Mandy was well played by Laura Kovler, with Roxanne Fynn and Michelle White, playing the wives of Dave and Gerald, also performing well.

A busy ensemble play a plethora of smaller roles, and at the first performance very ably covering for an absent Sueanne McCumstie in her three roles. Well done to this efficient team.

While the show is sold out, and you probably can’t get a ticket (although it would be worth watching for Covid cancellations), ticket holders should enjoy this fun and slightly naughty comedy.

Kimberley Shaw

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