Full Circle

When Wanneroo Repertory’s originally scheduled May production fell through, Barry Lefort came to the rescue with a remount (of sorts) of Full Circle, a play he directed for Stirling Players in November 2020. This interesting little comedy is set in the lounge room of a family, as their daughter Nicola’s wedding day approaches - and a cascade of skeletons emerge from the closet.

Four of the original cast return to reprise their roles, joined by some well-chosen new talents. The set, reminiscent of the design at Stirling, is beautiful (I contemplated moving in), features stunning floral decorations by Karin Staflund, and is effectively lit by Ashlee Torrens (the effect of inclement weather being well executed). Ian Wilson and Reynold Bauer provide an effective sound design. 

Gordon Park reprises his role as Nicola’s dad Brian, with considerable comic flair. He works very well with Christine Smith ,joining the cast as his wife Linda, making the role her own, and nicely portraying the mother who wants her daughter’s big day to be perfect. Erin Shay Harrigan nicely portrays bride-to-be Nicola, at times the only voice of sanity.

Brian and Linda’s mothers, former best friends, can struggle to be in the same room, and have a long-standing feud. Returning to the roles they play very well, Ann Speicher is again delightful as Brian’s mum Dee, wearing leather trousers with the panache of a teenager, with Karin Staflund once more impressive as Linda’s more conservative mum Millie. The animosity between the two is a highlight of the show, and very well played.

Gareth Bishop Is loveable as very camp, very sweet neighbour Wills. Carole Wilson looks stunning and performs well as Gloria, an unexpected arrival with a show changing secret.

Some of the characters express views, attitudes and language that are not sympathetic or respectful of some members of the LGBTQI community, and while this is true-to-life, and we do hear the voice of reason, it is worth noting for those who may be offended. It may be worth seeking further information before booking.

Bearing this in mind, this is essentially a show with contemporary issues that has the easy watching feel of the traditional drawing room comedy. Well presented, and nicely acted, it deserves better audiences than it had on opening weekend. A solid and enjoyable show, very well received by the audience.

Kimberley Shaw