Reviews

The SpongeBob Musical (Youth edition)

By Kyle Jarrow. Adelaide Theatre Academy and Theatre Bugs. Goodwood Theatre, SA. July 18th to 20th, 2024

One of the delights of quality theatre devised for children and young people is the joy and playfulness it brings. Presented by a 30 strong ensemble who sing, dance, act and tap-dance their socks and flippers off, this is two alternating shows that highlights the SpongeBob common theme of environmental awareness. I saw Krabby Patty which is set in Bikini Bottom, an under the sea town.  I am very tempted to line up, as busloads of excited children did, to also see Chum Bucket.

Dave O’Neil: Overweight Lightweight

With Brad Oakes. The B – Queanbeyan Bicentennial Hall. 13 July 2024 and touring

You probably remember Dave O’Neil from the ABC show Spicks and Specks, Melbourne prime-time commercial radio gigs and stand-up comedy. Brad Oakes is best known for stand up on Hey Hey, It’s Saturday. Both have been entertaining audiences since the 1990s. The two have paired up to present a night of good-natured stand up.

How to Catch a Star

Writer/Director Sandra Eldridge. Composer Elena Kats-Chernin. Based on the children’s book by Oliver Jeffers. Australian Chamber Orchestra at Pier 2/3. July 6 – 11, 2024

How to Catch a Star at the Australian Chamber Orchestra at Pier 2/3 is an enchanting trip to the sky through the eyes of a child. Who hasn’t been obsessed with the stars? They capture the imagination of young and old, as does this delightful production. 

What a treat to be nestled on the Sydney Harbour alongside the glorious Harbour Bridge, with big windows in the corridor to the theatre. 

Possum Magic

By Mem Fox and Julie Viva, adapted by Eva Di Cesare and Sandie Eldridge. Monkey Baa Theatre Company. West HQ’s Sydney Coliseum Theatre. 12 – 13 July, 2024.

It is a magical first impression walking into the theatre, greeted by a set with gnarled trees, a giant moon and the soft sounds of the outback. The staff are all waving and smiling at children handing out booster seats, the smell of popcorn is in the air and families capture memories for the gram or to send to the gran with giant possum cut outs.

Cut Chilli

By Chenturan Aran. New Ghosts Theatre Company. Director David Burrowes. Old Fitz Theatre. July 5 – 27, 2024.

Cut Chilli is a “coming-of-age” story of a different kind. It’s even bigger than that really – because though it revolves around inter-country adoption practices and “the wilful naivety around the broken systems that have enabled its darker side”, it reaches beyond that to our own dark history of ‘stolen’ children, forced assimilation, supremacist policies and racism.

Little Women: The Broadway Musical

Music by Jason Howland. Book by Allan Knee. Lyrics by Mindi Dickstein. Joshua Robson Productions. Hayes Theatre. July 12 – August 11, 2024

Little Women is one of the most perfectly constructed musicals based on a famous book. The musical’s construct is such that it manages to squeeze the key incidents from the book into a two hour musical, with enough songs to cover and explain events in a way that is precise and at times quite blindingly theatrical.

The book of the musical encapsulates a wonderful sense of community and family. With so many young characters it has achieved a degree of cult status in the school and youth theatre markets.

La Belle Époque

By Future D Fidel. Theatre Works, St Kilda. 10 – 20 July 2024

Isioma (Effie Nkrumah) is engaged to Chris (Mike Ugo) – well, they live together in Melbourne, and she is pregnant.  She wants them to marry, but Chris seems wary and there’s no way he can raise the traditional and expected dowry; he hasn’t even met her parents… 

The Real Thing

By Tom Stoppard. Williamstown Little Theatre. Directed by Michelle Swann. Jun 26 – Jul 13, 2024

Accomplished community theatre director Michelle Swann made her Williamstown Little Theatre directorial debut these last weeks with the heavily accoladed Tom Stoppard play of bourgeois adultery, The Real Thing.

The play seems to be revived every 10-15 years for a new generation of theatre goers testing whether its acid bath of love and marriage marinated in old pop songs still resonates with audiences.

Tartuffe

Written by Molière. Queensland Shakespeare Ensemble. Directed by Rebecca Murphy. Pip Theatre – Milton Qld. July12th – July 28th, 2024

When Molière’s ribald satirical play was first produced in the 17th century (then promptly banned) the playwright couldn’t possibly have foreseen that 400 years later, Brisbane audiences would be in hysterics at his scripted antics. The fact is Tartuffe – sometimes known as The Hypocrite – is an hilariously funny play written entirely in rhyming couplets that doesn’t get nearly as many productions as it should.

Macbeth (an undoing)

By Zinnie Harris after Shakespeare. Malthouse Theatre, the Merlyn. 5 – 28 July 2024

In this adaptation of Shakespeare’s ‘Scottish play’ (familiarity with the original is not strictly necessary), Lady Macbeth (Bojana Novakovic) is the protagonist: the tale is told from her point of view.  As in Shakespeare’s play, she urges, challenges, and emotionally blackmails Macbeth to murder King Duncan (Jim Daly).

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