Reviews

Mozart’s Clarinet

Queensland Symphony Orchestra (QSO). Concert Hall, Queensland Performing Arts Centre (QPAC), Brisbane. 22 and 23 April 2022

A gold and black sequined jacket was the only overtly flashy element in Section Principal Clarinet Irit Silver’s solo on clarinet for Mozart’s ‘Clarinet Concerto, K.622’.

Toy Symphony

By Michael Gow. Ad Astra, Brisbane. 21 April to 14 May 2022

In the world of music, a ‘Toy Symphony’ is a piece played on children’s toy instruments, resulting in a juvenile cacophony of dings and squeaks backing a melody with an underlying strain of sadness. You could say the same of Michael Gow’s Helpmann award-winning play Toy Symphony ­– written in 2007 after a writing break of nearly a decade while working as Artistic Director at Queensland Theatre. It is about a writer (Roland Henning) struggling with writers’ block.

Things I Know to be True

By Andrew Bovell. Theatre on Chester, Epping, NSW. Directed by Carla Moore. 22 April – 14 May, 2022.

Things I Know to be True is a play about a family. An ordinary Australian family. It’s set in a suburb of Adelaide – but it could be in any suburb in any Australian city. Playwright Andrew Bovell understands ‘family’ – as did the actors with whom he worked as the idea for this play grew and flourished. They understood  about parents. How they work hard to support their kids, how they want them to succeed. They also knew about kids. How they try to be what their parents want; how they need to be true to themselves as well. They knew about secrets.

The Glitz

Produced/directed by Sue Porret. Pink Flamingo Spiegelclub, Gold Coast. From April 2022.

When the Pink Flamingo opened in 2019, it brought back a style and mode of entertainment which hadn’t been seen in more than 50 years. Swanky, sophisticated and classy, it showed us a glimpse of the nightclubs of old, when people dressed in their finest clothes, drank the finest bubbles, and watched cabaret whose excellence was never in question. It was a bold move by Susan Porret and her business partner Tony Rigas, and some questioned whether this kind of entertainment, once the domain of the casinos and supper-clubs, had any place in the 21st Century.

SLAP. BANG. KISS.

By Don Giovannoni. Melbourne Theatre Company Next Stage Original, MTC Education Program. Southbank Theatre, The Lawler. 19-30 April 2022 (Regional Tour 3-10 May 2022)

Three very talented, focused young performers seamlessly play multiple characters and make SLAP. BANG. KISS an edge-of-the-seat rollercoaster ride.  Text and direction mesh perfectly as three distinct storylines interweave across three time frames and multiple locations.  Playwright Don Giovannoni’s choice of detail to evoke emotion, place, and action is finely precise.  He reckoned that the best way to hear the characters’ stories is for them to tell us directly – and so they do, as well as interacting with others.

The Deb

Story and lyrics by Hannah Reilly. Music, lyrics and story by Megan Washington. Australian Theatre for Young People and Camp Sugar Productions. The Rebel Theatre, Sydney. Opening Night – April 22, 2022. Playing until May 22.

The Deb burst onto the stage like a meteorite, igniting excitement at the humour, warm complex characters and exciting tunes – all in a brand-new theatre on Sydney Harbour.

There was even an after-show party (I’d forgotten what those were) with guest of honour Rebel Wilson – an alumnus of ATYP, who shelled out a million dollars to help build the company’s new 196 seat theatre and financed the musical.

I’ll Be Back Before Midnight!

By Peter Colley. Tea Tree Players Theatre. Tea Tree Players Theatre, Surrey Downs. April 20 to April 30, 2022

I’ll Be Back Before Midnight has been described by the Toronto Globe & Mail as the most widely produced stage play in Canadian history!  It has been produced in 30 countries, broken numerous box office records and has been made into a Hollywood feature film starring Heather Locklear, Ned Beatty, Robert Carradine, and Susannah York.  

Originally staged in 1985, it still sets an audience thinking, though with the advent of blockbuster movies and CGI some of the gruesome moments have lost their ability to terrify.

Leap

Neil Gooding Productions. Choreographer: Amy Campbell. Riverside Parramatta - 22-24, April 2022 – then touring NSW and Queensland

It is Amy Campbell’s aim to make “art that entertains, enthrals and is accessible”. Leap is all of that and more. With Neil Gooding’s support, Campbell has ‘leapt’ into her imagination to create an exciting new production that surely achieves her aspiration.

Light Shining in Buckinghamshire

By Caryl Churchill. Belvoir Street Theatre. April 7 – May 26, 2022

British historians often skipped over the so-called Interregnum decade, between the beheading of Charles I in 1649 and the restoration of merry Charles II.  Cromwell’s period seemed more a puritan aberration than what it was – a brief spark of British liberty and revolutionary equality, before the property-holders brought it all down.

And so the monarchy was restored with more powers and resources than before the Civil War. (And my fervent Welsh ancestor was one of the first to be executed for signing the royal death warrant).

The Last Days of Judas Iscariot

By Stephen Adly Guirgis. Irish Theatre Players. Directed by Brendan Ellis. Irish Club, Townshend St, Subiaco, WA. April 21-30, 2022

The Irish Theatre Players’ The Last Days of Judas Iscariot is an interesting production with strong performances and much food for thought. Although its title and subject matter mean it may struggle to find an audience, this is a worthy watch for the serious theatre-goer and is a well-produced production.

Staged by award-winning director Brendan Ellis on a traverse stage, this is a highly intimate production and a crowd of about 30 on opening night, meant the auditorium felt quite full. 

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