Reviews

Clinton the Musical is the Australian Premiere of an Australian Musical about American politics. A polished and flashy production, it is being well received.

I have some reservations about this show. While no doubt entertaining, it seems an odd choice for our State Theatre Company. While it is wonderful to see fresh, new work - especially a musical, Clinton the Musical feels like a Fringe Show on steroids, and somehow feels wrong for this company in this venue.

Twenty seven years ago, when Bangarra was first formed, for some it was a novelty, an indulgent gesture to indigenous culture. Now, this world class and astonishing dance group have proved that their spirit and culture exist in tandem with extraordinary talent and commitment which is accessible across the world.

The “Broadway Bound” class of NAPA presented a well rehearsed production of this popular musical. Lynn Dyer and Kim Reynolds have set a high standard over the years and this offering was no exception.

As the “Blonde Bombshell”, Chloe Finlay set and maintained the pace of the performance and was well-supported by Grady Rosvear, Aizha Poynton, Conor Putland, Starla Martineer and Rhys Field and the rest of the cast.

The ensemble worked extremely hard and their enthusiasm was infectious and both of the dogs in the show were well behaved.

Short + Sweet is exactly as it’s named: plays that are no longer than 10 minutes. That concentrates the playwright’s mind marvellously, and spurs the director to ingenious solutions. The ten plays shown in the final are the best of a gruelling process over two weeks. Plays come from Canberra, local and interstate theatre companies, and one play from the USA.