Reviews

I have been a big fan of Victorian Opera for many years now. Their programs are innovative, often breaking new ground and are always cast from strength.

Such was the case with ‘Tis Pity, an operatic fantasia/song cycle on the world’s oldest profession. This included ten vignettes moving through the ages. International cabaret star, Meow Meow, was at the peak of her powers. Her voice was unfailingly beautiful whether soaring in the stratosphere or plumbing the depths. She moved beautifully and was always expressive.

600 Seconds, presented by The Blue Room’s Summer Nights, is a wonderful ‘taster plate’ of Fringe World Theatre. In six ten minute shows you get a diverse sampling of genres, styles and feelings.

Presenters are given one simple rule. You have 600 seconds. There are two different line-ups on alternating nights, and the audience has no idea what they are going to see.

When you have a fine and intelligent two hander script, and two mature actors at the top of their game, there is no greater pleasure than a night at the theatre.

Red Stitch launches its 2017 season with an absolute cracker of a production, possibly the best in several years. The play might have been written for the venue (but it wasn’t), so perfectly does it fit the space.

Djuki Mala are the group formerly known as The Chooky Dancers, who came to fame after their 2007 Zorba the Greek YouTube video went viral. Performing in Perth for the first time, they are delighting capacity crowds with their Fringe World show.

Opening with traditional indigenous dance, from their homeland Elcho Island, Arnhem Land in the Northern Territory, from the outset the show is tight, well choreographed and vibrant.