Reviews

The theme of this opera is especially apt for the current circumstances in Victoria and the story captures many themes around the way contemporary romantic relationships are developed and sustained. The “to camera” format is ingenious and produces a powerful atmosphere of intimacy. The four outstanding performers Georgia Wilkinson (soprano), Morgan Carter (soprano), Nigel Huckle (tenor) and Sam Ward (baritone) appear on the screen in Caravaggio like fashion: dramatically set against a dark background.

‘To be a well-favoured man is the gift of fortune, but to write and read comes by nature’ – a line from Shakespeare’s Much Ado About Nothing that sums up the play The Man Who Wrote Shakespeare, but did the Bard really write it?

Playwright David Cronin has devoted an amazing amount of time to delving into the premise that Shakespeare was not solely the author of his own works. While this play is a combination of fictional dialogue combined with fact, he has kept, as accurately as possible, to documented evidence.

La Mama has presented poetry in a live format since 1967 and is one of the many traditions that form part of the La Mama project which nourishes emerging and talented artists. As with many other Arts enterprises, this event has been forced to pivot online. Unlike more performative Arts events, adapting to the online format for poetry readings is daunting. They are, by their very nature, much more intimate events that rely heavily on the physical presence of the audience.

With mainstage theatres serving up small cast COVID friendly productions, the New Theatre currently has the ‘biggest play’ on stage in all of Sydney. 

This production felt generous in many respects. It almost felt lavish seeing 15 people on stage in front of an audience (under 44) spread around the New Theatre, as allowed by current regulations.