Reviews

Tell Me on a Sunday is one of Andrew Lloyd Webber’s less regularly performed shows, meaning when it is done – it is done well. Featuring the incredible talent of Lauren Lee Innis-Youren, this show takes you on a cycle of romantic misadventures from an English woman trying to find the love of her life in New York. Intertwined with wit, love and the evolution of a strong woman – this performance has been lifted above what you would expect from an independent production and taken into the realm of semi-professional theatre.

Verdi’s Traviata (‘fallen woman’) is a courtesan - so why not stage the opera in a strip club?  That’s what director Julie Edwardson and her Emotionworks Cut Opera have done.  The audience, attracted by the originality of the concept or perhaps the salacious nature of the venue, surrounds the stage where strippers and pole dancers do their thing at other times.  A four-piece blues’n’jazz combo, including Ms Edwardson herself on keyboard, supplies the music.  It’s not as Verdi and his librettist Francesco Maria Piave conc

Back in 2005 at its Melbourne debut, Menopause the Musical audiences were predominantly comprised of middle-aged women. But on opening night a decade or so later there were quite a number of gents prepared to expose themselves to a new frontier, along with a smattering of younger patrons.

A Brisbane appearance of Sydney Theatre Company’s revered The Wharf Revue is always eagerly anticipated. Previous visits to the Sunshine State have seen sold-out houses for Pennies from Kevin (2009) and Debt Defying Acts (2011), but it’s unlikely this current show will repeat the success of the previous two. It’s virtually a ‘best of’ program but, unlike a ‘best of’ album, several skits don’t bear repeated viewing.