Reviews

It began as a much-loved novel in 1964; then it was a much-loved movie in 1976; then Tom Holloway adapted the novel in 2013; then another not-so-loved try-hard movie in 2019; and now this MTC production of Mr Holloway’s text, directed by Sam Strong.  You might ask, ‘Why?’, but adaptations and revivals are the go at present, the original story is ‘timeless’ and still timely, and Mr Strong hopes that this production will bring children to the theatre.  I think he’s right: it will.

If what you seek from a cabaret performer is personality coupled with versatility, then Ruthie Henshall fits the bill. She can be comical or serious, rousing or understated. Her repertoire includes familiar favourites from the world of musical theatre, as well as hidden gems. The personal anecdotes range from cheeky and light-hearted to piercing and poignant.

In her distinctively throaty vocal delivery, Henshall prefers to dig deep into the substance of a song, rather than floating free into the realm of gratuitous acrobatics.

Even though Slap the clown declares in his first musical number “I may be gay, but I’m not THAT cabaret”, in iOTA – Slap and Tickle, that’s exactly what he is.

What follows are 60 minutes of humour with just a touch of heartbreak. Set in a world of glitter curtains, a makeup table and a wonderful ten-piece band, Slap the Clown and Tickle the Gimp reveal their somewhat abusive relationship and a collection of outrageous characters created by Slap.

The Melbourne Cabaret Festival is celebrating its tenth year at Chapel Off Chapel.

This year’s Gala host, feisty Festival Ambassador Sally Bourne (accompanied by her partner in crime Drew Downing on piano) commenced proceedings by belting out a joyful rendition of “Big Time” (Peter Gabriel), preceding her boisterous introduction to a selection of many of the wild and wonderful acts participating in this year’s festival.