Reviews

There’s a certain anticipation as you enter Track 8 of Sydney’s Carriageworks and are greeted by a former prisoner or parole officer. You are here for a unique performance, where they will test your preconceptions of rehabilitation and the capacity of ex-offenders to reintegrate with society. The audience is asked to act as parole board and judge if one former prisoner - John Tjepkema at our performance - deserves freedom.

Sydney Town Hall has been transformed into a long, thrust stage surrounded by wooden tiered seating spread with brightly covered foam cushions. Colourful peaked gables arch above the lighting loom. Expectant patrons savour delicately flavoured lamb biryani before making their way to their seats for Belvoir and Co-Curious’ mammoth undertaking of S. Shakthidharan’s family saga, Counting and Cracking.

Ever since the novel was published in 1967, the story has intrigued readers and viewers as it has been both a movie and TV mini-series. Is it in any way true?  Apparently Lindsay wrote the novel in two weeks based on mystic dreams she had. The main action is centred around Mrs Appleyard, her girls’ school and students and what happens following the disappearances. The period is from Valentine’s Day, 1900.

It was amazing how much of the original Disney film came back to mind when watching this musical version - written for, and performed by, such a cast of young people – and I mean very young with some cast members. Naturally, the key elements were in the story line – Aladdin struggling with friends, his meeting the princess, learning of the cave and magic lantern and finally working with the genie to better himself and as many others that he could. The storyline still inspires the watcher to dream of better things.