A Doll’s House

It is perhaps not surprising that Tempest Theatre, a company that focuses on feminist theatre would eventually examine A Doll’s House - one of the most iconic and controversial pieces of modern feminist theatre.

Reimagined as a one woman play, Tempest’s A Doll’s House shows us what a vital and game changing character Ibsen’s original Nora Helmer was, and still remains. Siobhan Dow-Hall is a wonderful Nora, whose beautifully cut monologue gives us the essence of the original production, acted with depth, passion and conviction. Over 140 years after the premiere of A Doll’s House, this feminist examination of a woman’s decision to leave her children to save herself remains shocking and heartbreaking - especially when so movingly portrayed.

Simply staged, with a fragment of set to suggest a beautiful, well-cared for home, the era is moved to what may be the mid 20th century, but with an essence of timelessness that reminds us that it could almost be the present-day. Costuming is elegant and well-chosen. A warm, intimate lighting plot contrasts with the sadness and shocking nature of the story - and a well constructed sound plot, including internal monologues and the voice of husband Torvald (Roger Crabb) adds to the story-telling.

Having watched many versions of A Doll’s House over the years, this intimate, unique take on the play has had the most impact, and been most moving to watch. A great choice for anyone, but it will be a joy for anyone who thinks that they don’t like A Doll's House.

Kimberley Shaw