Reviews

This locally written World Premiere, presented by Stirling Players, and directed by the author Peter Flanigan with Jann Rutherford, is being very well received. Gentle and funny, it deals with love and marriage in its various stages.

Experiencing an unfamiliar play should feel like an adventure; in the case of a comedic play, ideally a fun-filled adventure. For the most part, debut directors Gary George & Angela Short have crafted a successful Shakespearean entertainment out of material that is somewhat challenging.

The rapid-fire delivery of dialogue in the opening scene demands concentration, but also starts the show off on an encouragingly confident high that the first act manages to sustain. Moments of bawdy humour are staged with impressive vigour.

Darylin Raymondo is a fine director, and her reputation was made with her stunning production of Next To Normal in 2014. It wowed audiences at both Geelong and The Hayes in Sydney. It is only natural that expectations would be high for her anticipated production of Dogfight – a 2012 off-Broadway musical based on a 90s film. The cast is mostly excellent, the music is entertaining if not especially memorable, and there is a strong – if predictable – book.

It’s not often one sees a play featuring a ‘live’ steam train (if ever) but Emily Vascotto’s The Train Tea Society gave audiences that undeniable thrill not once but twice during this sweet and affectionate work set in Ipswich during the First World War. Staged in association with the Queensland Pioneer Steam Railway at the historic Swanbank Railway Station, this site-specific piece of theatre presented as part of the Anywhere Festival convincingly transported us back to an earlier time.