Reviews

In the imaginary town of Coriole, a committee of six has the task of organising the annual Australia Day Celebrations. They are character types one might find among the members of any organisation, country or city - an aspiring politician, a green feminist, a redneck denialist, a token ‘new’ Australian. To put them together on the Australia Day Committee of a small country town provides the basis of comic satire, for which playwright Jonathan Biggins is well known.

What a delight it is to go the theatre and to be thoroughly entertained. If you are a fan of hilarious skits, a sing-a-long, melodrama and the odd dirty ditty, then look no further than ‘The Rep’s’ latest offering, Palace of Varieties.

Director Pam O’Grady knows her genre well and drains every laugh from the attentive and co-operative audience. With so much going on, mistress of ceremonies Penni Hamilton-Smith does a fine job to steer the night’s festivities, her sharp wit and improvisational skills on full display.

This great positive lively show played to an almost full house on Saturday.  It is truly worth catching as theatre with a message that doesn’t preach but wholeheartedly entertains. It is youthful, joyful and delivered with a lovely light touch, showcasing some exciting emerging talent.   

American novelist and playwright Adam Rapp first staged Nocturne in 2001. Local Adelaide actor Tom Gentry has taken on the mammoth task of reproducing this highly emotive work as both the protagonist of the play and the director.

A stark set consisting of a sofa, desk, bookcase, typewriter and a coffee table strewn with books is dimly lit, allowing for a glimpse of piano keys painted upstage on the floor; their relevance soon becomes apparent.