Reviews

Once again the weather was stunningly kind for the opening night of this, Giacomo Puccini’s very last opera. Set in China, it tells the story of the icy princess Turandot, who avenged the barbaric humiliation of her ancestor, Lou-Ling, thousands of years ago by executing any suitors that could not answer three esoteric riddles. That is until Calaf, an exiled Mongolian prince, falls in love with her and determines to win her.

Sam Donnelly brightly portrays no fewer than seven larger-than-life characters in this celebration of the quirky secrets hidden, and not so hidden, in all of us.

There is a lot to like about this intimate, look-straight-in-your-eyes comedic monologue. Star Trek fans will relish the detailed references to the original series, movies, memorabilia, and social-suicide moments, not to mention the topical, undisguised barbs made about Star Wars.

This timeless classic (written in 1962) is probably best remembered for the “gutsy” performances of Elizabeth Taylor and Richard Burton in the 1966 film version.

Noella Johnson, once again, has brought out the best (or worst?) in her cast in this memorable play.

Cast in the Taylor and Burton roles are feisty Kate McNair as Martha and Noel Thompson as her academic husband, George and the younger couple, Honey and Nick, are Carmen Trevino and Nathan Wright - the unwitting pawns in this game of “cat and mouse”. All deliver strong performances.

shake and stircontinues its acclaimed ‘classic’ series with this bleak but beautifully staged adaptation of Emily Brontë’s very grim story of love and loveless-ness  set on the windy Yorkshire moors. Gloom is the dominant mood of the novel and this production does not try to soften the cruelty and jealousy that drove Bronte’s eccentric characters.