Reviews

Roberto Devereux

By Gaetano Donizetti. Melbourne Opera. Director: Suzanne Chaundy. Musical Director: Greg Hocking. Athenaeum Theatre. November 11 – 18, 2017.

Donizetti’s opera Roberto Devereux is rarely performed, mainly due to the demanding soprano role. This was more than adequately met by local girl made good, Helena Dix, whose international career is on the rise.

A born comedienne, Helena presented a quirky Queen in the first act, with small movements being quite telling. Later she was quite furious when Roberto made it obvious she was no longer his main concern. Her pathos after his death was touching.

Leading Ladies

By Ken Ludwig. Mordialloc Theatre Company Inc. Shirley Burke Theatre, Parkdale. 10 – 25 Nov, 2017

Ken Ludwig’s American farce Leading Ladies is Mordialloc Theatre Company’s final season of the year.

Taking place over a month in the Spring of 1952, the plot revolves around two British actors in York, Pennsylvania who are down on their luck. After reading about a dying heiress who is searching for long-lost relatives from England, they decide to impersonate the men, only to frantically discover that the missing nephews… are actually nieces!

Playing the Palace

By June Walker Rogers. Hobart Repertory Theatre Company. Directed by Mark Morgan. Playhouse Theatre. November 3-18 2017

There are those who believe musical theatre should be vacuous and undemanding and then there are the rest of us. Yet, Playing the Palace is a flummery that makes significant demands of its audience. It requires an unusual degree of suspension of disbelief, principally, to accept that a play about a theatre is set on a stage partly dressed as a theatre. Ghosts are presaged by the augury of a flickering light and their presence accepted. Every line is a tenuous cue to a song and sometimes the songs just appear like the ghosts.

The 27 Club

The Basement (Sideshow). Arts Centre Gold Coast. 10th-11th November 2017, and touring.

Is it just synchronicity that five musical legends all died (mostly by their own hand) at the age of 27? Is that the age at which we have to own who we are and quit hiding behind the mask of being a “kid”? For some that transition to adulthood, seriousness, responsibility, is just too hard to make. On the ‘plus’ side, an early death brings a kind of immortality to performers who might otherwise have been swept up in the juggernaut of fame and ultimately replaced and forgotten.

Spamalot

Book and Lyrics By Eric Idle. Music by John Du Prez. Bankstown Theatre Company. Directed by Simon Fry. Musical Direction by Ian Buchanan. Choreography by Lauren Butler. Bankstown Arts Centre. November 10 – 19, 2017

What can one say about Spamalot, except that it is totally ridiculous, as one would expect from a Monty Python idea. This musical, “lovingly ripped off” from the motion picture Monty Python and the Holy Grail, does great justice to the craziness of the genre, and this production by Bankstown Theatre Company lovingly embraces the whole idea.

The Carnival of Lost Souls

Presented by Platonic Music. The Space: Dunstan Playhouse (SA). Friday 10 November To Saturday 11 November, 2017.

The Carnival of Lost Souls is a macabre yet rather engaging piece of ‘circus theatre’ in the spirit, if not scale of Cirque du Soliel. The setting for the rather loose narrative that involves desire, betrayal and revenge, is an old gothic 19th Century Music Hall.

Season's Greetings

By Alan Ayckbourn. Galleon Theatre Group. Domain Theatre Marion. November 1-11, 2017

The lead-up to Christmas is a time of mixed feelings. Depending on one’s circumstances, a blend of delight and dread can be the prevailing mood.

Gert and Bess

By Barry Dickins. Theatre iNQ, South Townsville. World Premiere. Nov 9 – 19, 2017

As the audience streams in to the theatre, two old women are sitting on the stage in a typically 1950s kitchen – featuring a wooden table, a Kooka stove and an ancient Kelvinator refrigerator. What follows is a spirallingly surreal conversation which covers their lives, their ideals, death, children, their increasing loss of mind and memory and one of the funniest and most tragic shows you will ever see.

Nineteen

Written & Directed by Shane Pike. Wax Lyrical Productions. Brisbane Powerhouse. 9-12 Nov 2017.

Shane Pike’s Nineteen is the second in a trilogy of plays exploring masculinity in young Australian men. This world premiere performance was brutally honest and frequently confronting.

Constructed from real-life stories gathered over several years, the play specifically focuses on four young men who are all living together in a share house. They swore on oath at 11 to be best friends forever but at 17 cracks are starting to show in the friendship.

Three Sisters

By Anton Chekhov, adapted by Andrew Upton. Sydney Theatre Company. Director: Kip Williams The Drama Theatre, Sydney Theatre Company. 6 November – 16 December 2017

There is much that is familiar about Andrew Upton’s reworking of Three Sisters at The Drama Theatre, and much that is profoundly strange. There are the sisters alright — Olga Prozorov, at 28 the eldest, a provincial school teacher; Masha, short tempered, disappointed in marriage; Irina, youngest and desperate to return to Moscow and taste true freedom. But the time is Now, or thereabouts, not the 19th century. Duels can no longer be picked and fought. The town’s garrison doesn’t march out of town to a jaunty band.

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