Reviews

Antilton

Written & directed by Oscar O’Brien. Melbourne International Comedy Festival. From Theatre Works FRESH WORKS program. Theatre Works Explosive Factory. 2 – 12 April 2025

A frustrated theatre maker, Artist (Kyle McCallion) is blocked and unhappy – his talent is assumed - but then is caught by the idea that he can write and produce and direct a sort of version of Lin-Manuel Miranda’s smash hit rap musical Hamilton.  But he will change all the characters to ants and their names to ant names – thus Hamilton becomes Antilton and so on.  Why he thinks this is a good idea, or that it’s funny, or has any point at all, is never quite clear. 

Come From Away

By Irene Sankoff and David Hein. The Show Company, Director: Allan Jeffrey. Music Directors: Andrew Castles and Petr Diviš. Lighting: Gareth Kays. Choreography: Leiz Moore. Costumes and Properties: Helen Cronin. The Theatre Royal, Hobart. 2-12 April 2025

Come From Away is a joyous and life-affirming piece of theatre, a timely reminder of generosity and kindness in the world.

It is also a beautifully constructed piece of theatre. The exposition is long, introducing dozens of characters, but it never flags or confuses. Sixteen performers playing several roles each are clearly delineated. Whilst it is true that “You'll probably understand about half of what we say”, the individual quirks add to the charm.

Labour of Love

By James Graham. St Jude’s Players. St Jude’s Hall, Brighton, SA. April 3rd to 12th 2025

Kym Clayton has selected a very timely piece with Labour of Love, given that Australia is in the thick of pre-election mode. Spanning the years 1990 to 2017 in the United Kingdom, author James Graham, through the eyes of politician David Lyons, explores the machinations of politics, elections, belonging and political expedience.

Rob Carlton: Willing Participant.

Melbourne Comedy Festival. Beckett Theatre, Malthouse, 113 Sturt Street, Southbank, Melbourne. 1- 20 April 2025.

Carlton is an exceptionally gifted performer, raconteur and writer. His material is somewhat unexpected for a comedy routine as it draws out much more than just laughter. He breaks down the routine into four equally sized substantial stories that are extremely relatable. Carlton shares important moments or episodes in his life and fills these events with incredibly colourful characters, evocative scenarios, and delicate minute details. His incredibly fertile imagination is on full display in this extraordinary hour of pure, unadulterated storytelling.

That’s the Way the Mop Flaps

Written & performed by Hannah Malarski (with the participation of Ash Goodison). Melbourne International Comedy Festival. Club Voltaire, North Melbourne. 31 March – 5 April 2025

Hannah Malarski has a stage presence many would - and probably do - envy.  She has the necessary ‘oomph’, and she immediately connects with the audience.  Warm, engaging, commanding, authoritative, and very attractive, we’re hooked from the start. 

Don’t ask about the title.  I naively expected something like a show about domestic hygiene, perhaps, but...  Anyway...

Doctor in the House

By Richard Gordon and Ted Willis, presented by Tea Tree Players. Tea Tree Players Theatre, Surrey Downs, SA. 2-12 April 2025

Medical students Tony and John, together with Tony’s live-in girlfriend Vera, welcome a new student to their house. Simon Sparrow. He’s the nephew of the dominating and influential Sir Lancelot Spratt, and is shoe-horned into the established shared lodgings, playing drinking games and singing raucous songs – but it’s England in the 1950s, so it’s mostly clean fun, with a dose of dated values being medicated by some strong female personalities.

Annie

Book by Thomas Meehan. Music by Charles Strouse. Lyrics by Martin Charnin. John Frost for Crossroads Live Australia. Capitol Theatre, Sydney. Opening Night April 3, 2025. Touring to Melbourne and Brisbane.

Little Orphan Annie has been given a sparkling refresh thanks to excellent casting, a few flourishes of digital scenery and some new choreography which has attracted global attention.

After the media call, I uploaded to Instagram  a one-minute clip of Debora Krizak, Keanu Gonzalez and Mackenzie Dunn stepping, twirling, somersaulting and kicking their way through the song “Easy Street” as choreographed by Mitchell Woodcock.

I Was Glad – Cathedral Classics

Sydney Philharmonia Symphony Choirs. Symphony Chorus. Conductor Brett Weymark. Concert Hall Sydney Opera House. April 3, 2025

In the words of Brett Weymark – conductor and Artistic and Musical Director of the Philharmonia Choirs – “this concert explores cathedral music from evensongs to coronations”. I use the present tense, because this isn’t a “one off”! Weymark and the Symphony Chorus will perform this incredible concert again next Saturday 5th April at All Saint’s Cathedral in Bathurst and on Saturday 12th April at St Peter and St Paul’s Old Cathedral in Goulburn.

A Chance to Address the Amish Rumours

Written & performed by Stephanie Hare. Melbourne International Comedy Festival. The Butterfly Club. 25 March – 6 April 2025

Amish?  Rumours of?  But that reference to the fundamentalist Anabaptist Amish sect in this show’s catchy title is just a way to introduce the way Stephanie Hare grew up in the wilds of Tasmania without technology, without electricity - not even a fridge!  The Amish eschew technology out of religious conviction.  Hare’s Mum was not religious – she was, if anything, a Communist who moved into the wilderness and built a house out of conviction and – as Hare puts it – firewood.  We see a wide shot picture of this house on a big screen, but

Medea – An Exploration

Written & performed by Beverley Geldard, Bridget Haylock & Sue Ingleton. Extra text by Suzie Miller. Presented by Crones of the Acropolis. Castlemaine Fringe Festival. Wesley Hill Hall, Castlemaine. 26 March and 2 April 2025

A curious paradox: mix some inspired clowning with Euripides’ classic text and reveal even more ambiguities and ambivalences than you might have thought. 

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