Constellations

This play is a masterclass in how the action, delivery and intention of actors can completely change the meaning of the same words.

Constellations is a ‘two hander’ for two star-crossed lovers, beekeeper Roland (Johnny Carr) and quantum physicist Marianne (Catherine Văn-Davies). The same fragments of their lives are repeated over and over with slight twists.

The change in the ‘metaverse’ is recorded in the script by a change from bold to normal text. In this elegant production the changes are realised with light, sound and skilful acting.

The couple spar on a round platform, which has a top and bottom encased in swirling lights. Above them is a ceiling of flowers. The stage is largely a blank canvas set which makes the production intriguing. When we first see the pair, they vanish and re-appear in light and darkness meeting for the first time a party.

Marianne has a goofy pick-up line about how difficult it is to lick the very tip of your elbow. At first it feels a bit like the movie Groundhog Day on speed, with the scene repeating as she struggles over and over to get it right and hook her fish.

The acting is brilliant and the two are easy to look at.  Roland (Carr) with his roguish appearance and Scottish accent appears an unlikely match for Marianne (Van-Davies). Slowly the audience understands their attraction.

We see different phases of their relationship and the alternate directions it might take. It is cause for reflection on how the fate of a life partnership can be pushed off course.

Constellations has a nice balance of humour and darkness. It has a heady mix of influences from quantum physics to Beyoncé music, to beekeeping. The emotion is raw but also at times suffocating.

David Spicer

Photographer: Prudence Upton