Reviews

The Girl Who Glows

By Zeeko and Jo Turner. Directed by Jo Turner. The Street, Canberra. World Premiere. 18 – 21 July, 2024 and touring

The Girl Who Glows is a magical story about a glowing girl called Luna, who travels Australia meeting wonderous luminescent creatures in her quest stop the world from fading to darkness. Aimed at children from 5 upwards, it incorporates delightfully silly humour, live music, glorious lights and a story designed to wake interest in the natural world. The tale is told by Zeeko, a band that has been playing for children including through Musica Viva Australia since 2009. The music is eclectic, from melodic rock and beautiful ballads to opera and rap.

Ghost

Music and Lyrics Dave Stewart and Glen Ballard. Book and Lyrics by Bruce Joel Rubin. The Spotlight Theatrical Company. Director and Choreographer: Clay English. The Halpin Auditorium. 19 July – 17th August, 2024.

As an iconic love story, the 1990 film Ghost is on the list of many people’s top 100 films. The central idea of love after death has touched everyone at some time, and the theme of “Unchained Melody” (beautifully constructed by Alex North back in 1955) is part of our psyche. That, and the astonishing scene where the ghost embraces his love as she sits at the Potter’s wheel, are moments we remember.

The Deep Blue Sea

By Terrence Rattigan. Melville Theatre. Directed by Barry Park. The Main Hall, Melville Civic Centre, Booragoon, WA. Jul 19 - Aug 3, 2024

Terrence Rattigan’s post war drama has not been performed in Perth for many years but makes a welcome return in Melville Theatre’s well produced season. A show case piece for a talented mature actress, this production is well supported with high production values and a hard-working supporting cast.

Vespers

By Sergei Rachmaninoff. Sydney Philharmonia Choirs. Director Brett Weymark. Sydney Town Hall. Saturday 20th July, 2024

Brett Weymark described this interpretation of Rachmaninoff’s Vespers as “a special performance that sits somewhere between ritual, concert and theatre”. It is indeed special – because Weymark had the vision of the choir moving into different formations signifying the four phases of the All-Night Vigil of the liturgy: sunset to night, through the night to dawn and the new day – Vespers, Compline, Matins and the First Hour.

How he achieved this is typical of Weymark’s inspiration and drive!

Hamlet

Composed by Brett Dean. Libretto by Matthew Jocelyn. After William Shakespeare. Opera Australia. Directed by Neil Armfield. Conducted by Tim Anderson. Joan Sutherland Theatre, Sydney Opera House. July 20 - August 9, 2024

This is a bone chillingly brilliant production which surrounds the audience in sound, and takes them deep into the psyche of Shakespeare’s most famous character.

You won’t leave the opera whistling the tunes, but you will not forget the haunting narrative, which amidst the carnage also has surprising elements of humour.

The opera had its world premiere at the Glyndebourne Festival in 2017 and has since had productions at the New York Met, several in Germany and Adelaide Festival.

Bombshells

By Joanna Murray-Smith. Presented by Echo Theatre. Directed by Jordan Best. The Q – Queanbeyan Performing Arts Centre. 18 – 27 July 2024

Empathic, hilarious, and incorporating song and dance, Joanna Murray-Smith’s Bombshells is a wonderful choice for Echo Theatre’s Jordan Best’s superb comedic sense and feminist outlook. Murray-Smith has an ability to capture heartbreakingly authentic emotional dialogue, which is a large part of the global success of her play Honour. In Bombshells, she takes that dialogue internal to create a wry comedy about the lies we tell ourselves and the ways we survive life’s traumas.

The Music Man

Book, music, and lyrics by Meredith Willson, based on a story by Willson and Franklin Lacey. Marie Clark Musical Theatre. Arts Theatre, Adelaide. July 19th to 27th, 2024

The Music Man is a musical with book, music, and lyrics by Meredith Willson, based on a story by Willson and Franklin Lacey. Marie Clark Musical Theatre (MCMT) was originally well known for its expertise as singers, but over time has evolved to present, with considerable finesse, the ‘who’s who’ of musicals, this being one of those.

The Bugalugs Bum Thief

Adapted for the stage by Tim McGarry, Eva Di Cesare and Sandra Eldridge. Red Line Productions. Directed by Jessica Arthur, with Glenn Moorhouse as Musical Director. Riverside Theatres, Parramatta. July 16 – 19, 2024

The Bugalugs Bum Thief is a delightfully funny stage production catering to kids and families. Riverside Theatres has presented a genuinely entertaining show with Red Line Productions. 

Alice By Heart

Music by Duncan Sheik, lyrics by Steven Sater, and a book by Sater with Jessie Nelson. MUSE. The Reginald, Seymour Centre, Sydney. July 17 – 20, 2024

Infectious joy, passion and energy exudes from university student theatre groups, and MUSE, the student musical theatre club at Sydney University, is no exception. Their latest offering is new to Sydney - Alice by Heart, very different musical spin on Alice’s Adventures in Wonderland from the creators of Spring Awakening.

Reclaim the Crone

Devised & Performed by Gabrielle Leah New, Helen Smith & Karen Berger. The Space Before Performance Collective. Theatre Works at Explosives Factory. 17 – 27 July 2024

The title makes the intent and purpose of this show absolutely clear.  The play begins in darkness with an angry poem projected on the walls and on three huddled women.  It’s a protest at the invisibility of older women.  Women of a certain age will recognise this at once: so disregarded that they are almost literally invisible in public spaces – so that younger individuals will bump into them or force them off the pavement and into the gutter.  It’s not just their bodies: the invisibility extends to their life experience, sexuality, opinions and wisdom

Subscribe to our E-Newsletter, buy our latest print edition or find a Performing Arts book at Book Nook.