Reviews

Richard 3

By William Shakespeare. Bell Shakespeare. Sydney Opera House, 25 February – 1 April: Canberra Theatre Centre, 6 – 15 April, Arts Centre Melbourne, 20 April – 7 May, 2017

There’s only one meaty role to speak of in Richard III.  It’s all about him – or rather her – as it is in this Bell Shakespeare production which stars Kate Mulvany as the crooked monarch.

The four female roles of dispossessed queens and widows must be content with endless lines of rage and grieving, while the men play a quick parade of miscalculating nobles and henchmen doomed to a bloody end.

Mr Stink

Play by Maryam Master, based on the book by David Walliams. A CDP Kids Production. Directed by Jonathan Biggins. Seymour Centre, Sydney, February 27, 2017, and touring.

David Walliams’ children’s story Mr Stink, adapted for the stage by Maryam Master, is thoroughly enchanting, full of fun and laughter for children and adults. A theatrical delight. A comedy for all ages.

CDP Production of Mr Stink is on tour in Australia in 2017 after being nominated for a Sydney Theatre Award after it’s 2016 premiere at the Sydney Opera House.

Ross Wilson & The Peaceniks

Adelaide Fringe. Magic Mirror Spiegeltent at The Garden of Unearthly Delights. 28th February, 2017

Ross Wilson has been a part of the music industry for over 50 years, starting in a blues band called The Pink Finks when he was in school, then going on to have commercial success with bands such as Daddy Cool and Mondo Rock.

The 2017 Adelaide Fringe audience were lucky enough to experience a selection of his back catalogue for 60 minutes and although the venue resembled a sauna in Adelaide’s century heat, it did nothing to dampen the enthusiasm of the crowd.

The Hound of the Baskervilles

By Arthur Conan Doyle, adapted by: Steven Canny & John Nicholson. Hobart Repertory Theatre. Directed by Scott Hunt. Playhouse Theatre, Hobart. 24 February – 11 March 2017

Some literary and theatrical legends have been around so long, it won’t damage the essence of the mystery if they are played about with. So is the case with Sherlock Holmes’ mystery, The Hound of the Baskervilles. With a comedic, spoofy reworking by Steven Canny & John Nicholson, The Hound was chosen by Hobart Repertory Theatre as a drawcard for audiences as a good way to give the public lots of laughs.

FURΦES

Adelaide Fringe. Noel Lothian Hall, Botanic Gardens. February 26, 2017

FURΦES is a piece of avant-garde physical theatre that concentrates on the relationship between Orestes and the FurΦes, the personification of his guilt and madness after he killed his mother Clytemnestra. It is part of the ancient Greek saga The Oresteia involving the House of Atreus.

The ‘script’ for this devised work by Liam Ormsby is rather good, clear, concise and dramatic. There is also some rather clever and effective staging by Craig McArdle and excellent Sound Design and Music by Jakub Jankowski.

The Play That Goes Wrong

Written by Henry Lewis, Jonathan Sayer and Henry Shields. Directed by Mark Bell. Australian Direction by Sean Turner. Melbourne - Comedy Theatre from 22 February, 2017; Adelaide - Her Majesty’s Theatre from 28 March; Sydney - Roslyn Packer Theatre from 5 April; Canberra Theatre from 25 April; Brisbane - Concert Hall, QPAC from 4 May and Perth - His Majesty’s Theatre from 31 May.

For anyone brought up in London in the fifties, this production is an homage to the Whitehall farces of Brian Rix. It doesn’t have a real plot, it lacks sophistication, and theatre elitists will turn up their noses – but that’s not its purpose. Its purpose is to leave the audience weak from laughing, and that’s exactly what it does. Lord knows the world needs laughter now more than ever, and TPTGW delivers in both clichéd and innovative ways.

An Evening With Amanda Palmer

Adelaide Fringe 2017. Her Majesty’s Theatre, Adelaide. February 24 & 25, 2017

AMANDA PALMER is a major American chanteuse. Her songs are like a cross between Tom Lehrer and Kurt Weill. The emphasis, however, is on the lyrics, which (by her own admission) are ‘morose’ – endlessly ‘morose’.

She performed for over 2.5hrs to a devoted audience, mostly women, some of whom (a little annoying at times) sang along with her. I was a novice, and frankly, I started to become less interested in the songs but more in what she had to say about recent experiences, including her own artistic freedom as well as being a new mother.

Steptoe and Son

Based on the scripts by Ray Galton and Alan Simpson. 1812 Theatre. The Lowe Auditorium. Feb 23 – Mar 18, 2017

One thing is for sure, when you attend an 1812 Theatre production you are guaranteed to be hit with plentiful production values.  Last night at the opening of their Steptoe and Son – the second coming (as they performed 3 episodes of the 60’s UK sitcom in July 2015), it sure didn’t disappoint.  From the foyer ‘decorations’ (they might just be having the carpet replaced… I’m sure they didn’t rip it up just for atmosphere… although, the might just have!), to the slice of life dual focus set, bursting with rag-and-bone

American Idiot

Music: Green Day. Lyrics: Billie Joe Armstrong. Book: Billie Joe Armstrong & Michael Mayer. Shake & Stir & QPAC Production. Director: Craig Ilott Musical Director: Glenn Moorhouse, Nik Pringadi Choreographer: Lucas Newland. Playhouse, QPAC, Brisbane. 25 February to 12 March, 2017

American Idiot is the most exciting new rock-opera to appear on a Brisbane stage in over a decade. Shake and Stir’s launch into the big-time with this Australian premiere takes musical theatre on a blistering no-holds-barred journey that’s visceral and anarchic.

The 39 Steps

Adapted by Patrick Barlow. Directed by John Boyce. Brisbane Arts Theatre. 25 February – 1 April, 2017

This is not your normal serious play with realistic characters in a realistic setting but more where the audience has to use its imagination with regard to both the characters and the set – what there was of it. As the director stated, he used many of the traditions of vaudeville and satire. For the most part, this has worked really well.

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