Reviews

Victorian Opera has made a practice of working with educational institutions for their mutual benefit, and with Debussy’s Pelleas and Melisande it was the Australian National Academy of Music (ANAM). This opera requires a large orchestra, and the students did themselves proud and gained valuable experience.

With a closing inference that the nightly news is actually a panacea, Trustees speaks to the politically aware and concerned about some of the most difficult and pressing issues we are grappling with but, arguably, not really doing enough towards rectifying.  It rips open personal experience and expresses desperation about the damage we have rendered and are rendering on each other.   More often than not this is expressed through the use of the human body as metaphor.

Barry McGovern is a mesmerising presence; he is in complete control of his material and his performance.  Alone on an almost totally bare stage for sixty minutes – and telling a rambling, discursive and dissatisfying tale – he compels attention by his concentration, the modulations of his rich voice and the minimalist use he makes of his body – particularly his eyes, which can suddenly light up… and then go dull, resigned again to the hopeless fate of his eponymous ‘hero’.  His most vigorous movements demonstrate the way Watt walks – a co

If you are seeking good theatre, rather than “a good time”, Old Mill Theatre’s ‘night Mother is a great choice. 

Audience numbers are not great for this expertly acted production of Marsha Norman’s Pulitzer Prize winning drama, and to be honest, the subject matter is not for everyone, as it deals with suicide.

This intense two hander is a successful directorial debut for Gino Cataldo, who shows much promise in this sphere. The performances he has extracted are excellent.