Cloudstreet

The quintessentially Western Australian Cloudstreet, by Nick Enright and Justin Monjo, based on the Tim Winton novel, played to full houses at the Old Mill Theatre, situated just across the river from much of the action of the play.

Simply set, using projections (Daniel Toomath) and props, it was thoughtfully lit by lighting designer John Woolrych to create intimacy and broader spaces as well as ‘magical’ moments. Sarah Christiner provided a subtle but effective sound design.

Directed in a presentational style which worked well with the storytelling, the staging didn’t always gel in a proscenium arch space, with some upstaging at some key moments. These were usually forgivable, given that many of the performances were outstanding.

Kit Leake was picture perfect as Lester, father of the Lamb family - working beautifully with Cynthia Pickering, gorgeous as matriarch Oriel, in a performance with great depth. Nathan Hambly is a creative Quick, while Oliver Kaiser is excellent as brain injured Fish. Lovely support from Rhiannon Cary (Hattie), Hayley Derwort (Elaine), Chelsea Brickell (Red) and Liam Crevola (Lon).

Phil Barnett was convincing as gambler Sam, nominal head of the Pickles Family. Leone Leaver brings great passion to the complex Dolly Pickles, while Madelaine Jones simply shines as their daughter Rose. Solid performances from Brad Albert as Tom (doubling nicely as love-interest Toby) and Hayden Tognela as Chub.

Gino Cataldo anchors the show, narrating and observing the action with expertise as ‘The Man’, with Nikki Di Camillo, Cally Zanik, Taylor Russert and Stage Manager Pete Nettleton, rounding out the cast.

Costuming helps to establish the era, and includes some excellent pieces, but there are anachronisms and attention to detail is lacking - especially with underwear, which tended to be incorrect.

While there were some shortfalls, this was a moving and warm show. The audience remained engaged throughout this rather lengthy production and the sold-out houses went home satisfied. Well done.

Kimberley Shaw