Reviews

Mamma Mia!

Music by Benny Andersson and Björn Ulvaeus, originally written for ABBA. Book by Catharine Johnson. Gosford Musical Society. Laycock Street Community Theatre. March 6 - 21, 2020.

Mamma Mia! has been playing to sold out houses around the world since its debut in the West End in 1999. It’s so popular that it spawned not only the 2008 film, but also a sequel, aptly named Mamma Mia! Here We Go Again in 2018, starring a little too much Cher and not enough Meryl Streep. The long-awaited community theatre performance rights were finally released mid last year, and so began the tsunami of mirror balls, spandex and synthesized music across regional Australian theatres.

As You Like It

By William Shakespeare. Melbourne Shakespeare Company. Directed by Jennifer Sarah Dean. Central Park, Malvern - 7-15 March, 2020, then Fairfield Ampitheatre, March 21 & 22.

This wonderful performance brings the magical aspects of the play to life in a vibrant and animated manner. This company is renowned for exploiting the challenges of outdoor performances and turning them to their advantage. The performance space is well-defined, but the company does not hesitate to take advantage of the expanse of the park to allow small details to be included in the performance. Watching characters in the distance as they approach the stage area adds to the overall attention to detail exhibited in this production.

Sherlock Holmes and the Death on Thor Bridge

By Arthur Conan Doyle, adapted by Sandra Bass. Genesian Theatre Company. February 29 - April 4, 2020.

Sherlock Holmes mysteries have now overtaken Agatha Christie whodunnits in popularity for the Genesian Theatre, which has thrived as Sydney’s home of good old fashioned drama. So keen were the Genesians, to ride the sleuth’s wave of popularity that it has programmed a world premiere adaptation by member Sandra Bass.

Song Contest. The Almost Eurovision Experience

By Glynn Nicholas and Bev Killick. Primadonna Productions. Directed by Carole Dhu. The Fish Trap Theatre, Mandurah Performing Arts Centre, WA. Mar 6-8, 2020

Primadonna Productions’ Song Contest. The Almost Eurovision Experience starts in the foyer, with lovely ‘European’ people welcoming the audience to Minsk in Belarus, presenting them with “clackers” (“Is gift from Belarus government to you”, assigning you to a country and lending you a flag to wave. The atmosphere is joyous - which continues into the production.

Dead Gorgeous: A True Crime Clown Show

Madness of Two. Adelaide Fringe. RUMPUS. 7th to 15th March, 2020

If you think that a clown show about true crime is a weird premise, you’re right, but somehow new Adelaide theatre collective, Madness of Two makes it work.  Founded by two of Adelaide’s award-winning theatre-makers, Ellen Graham and Jamie Hornsby, Madness of Two has set out to tackle important issues in non-traditional ways.

Josh Mensch: Abomination

Cackling Jackal Productions. Adelaide Fringe. Holden Street Theatres. February 28 – March 15, 2020

Josh Mensch is a local artist who as a 17-year-old boy had a dream. As a self-professed drama kid, he always wanted to put on a Fringe show. It seems that stacking lettuces at a well-known supermarket was offering no stimulation, so he sat down to pen his one-man rhetoric.

Judy’s is a small venue within Holden Street Theatres. It only seats 20 people and on the night, I attended it was almost full. It is a small space made for an intimate show and this worked well with Mensch’s delivery.

The Merry Wives of Windsor

By William Shakespeare. GRADS. Directed by Thomas Dimmick. The New Fortune Theatre, University of Western Australia, Nedlands, WA. Mar 5-14, 2020

Perth's Shakespeare fans have been very spoilt in the last couple of years, with numerous productions, both community and professional - with this being one of two outdoor Shakespeare productions this week. The Merry Wives of Windsor, though, is a particular treat, as I don’t remember this playing within the last twenty years, and GRADS - Graduate Dramatic Society’s production is a fun, frolicsome, well presented production.

Singin’ In The Rain

Music and lyrics by Nacio Herb Brown and Arthur Freed. Screenplay: Betty Comden & Adolph Green. Rockdale Musical Society. Rockdale Town Hall. March 6 – 14, 2020

While you shouldn’t anticipate the cinematic bells and whistles of MGM’s 1952 classic film musical Singin’ In The Rain, Rockdale Musical Society’s production of the stage version has technical bells and whistles all its own, along with plentiful lashings of charm.

The stage show sticks incredibly close to the rom-com script of the movie, set against a background of Hollywood transitioning from silent flicks to talkies and early musicals.

How to Succeed in Business Without Really Trying

Music & Lyrics: Frank Loesser. Book: Abe Burrows, Jack Weinstock and Willie Gilbert. March Productions. The Goodwood Institute, Goodwood March 5 - 8 2020

I love youth theatre shows! They are full of honesty, integrity and energy. March Productions’ staging of How to Succeed in Business Without Really Trying is a perfect example!

A classic 60s musical, originally starring Robert Morse and recently Daniel Radcliffe of Harry Potter fame for the 50th Anniversary Broadway revival, it has remained a staple of amateur theatre companies.

Trois Grandes Fugues

Lyon Opera Ballet. Adelaide Festival. Festival Theatre, Adelaide Festival Centre. 6 – 7 March, 2020

This event is such a fascinating union of classical music, dance and the art of choreography. We hear three different renditions of the same piece of music by Beethoven and watch three diverse works by female choreographers first programmed together by the Lyon Opera Ballet at the instigation of Artistic Director Yorgos Loukos in 2016. 

Maguy Marin, Anne Teresa De Keersmaeker and Lucinda Childs are the creators, Childs’ work the only one commissioned whereas De Keersmaeker made her interpretation in 1992, and Marin hers in 2001. 

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