Reviews

Stoppard’s Arcadia was inspired by the book, Chaos: Making a New Science by James Gleick. Such a title should be enough of an alert to the intricate nature of this piece; enough perhaps to deter first-timers to Stoppard; but somehow STC have managed to present the text tangibly without detracting from its intelligence. Of course if you’re worried, it doesn’t hurt to pick up a copy of the play and become acquainted with the cerebral subject matter before walking in.

Australian playwright Daniel Keene has placed – or displaced – his characters into a world of insecurities and confusion that “plucks apart the underlying tensions of what we feel about where we’ve been and where we imagine ourselves going, exposing how illusion and wish fulfillment are as powerful guiding forces as fact.” (Cathy Hunt, Director).

On the surface the set and the characters are very ordinary: a run-down hotel lobby; and seven people who are trying to make sense of the perceived disorder of their lives.

A depiction of unsettling existence and traumatic memory in the combat zone, Dropped would seem to have the ingredients necessary for an engaging and impactful experience: two female members of the defence force, attempting to maintain a steely exterior while seeming to crumble from within.

In The Guardian in September 2014, playwright Duncan Macmillan is quoted thus: ‘There’s nothing I can do in my life to compensate for the fact that the world would be better without me in it’. Perhaps never before in the history of this planet has the anxiety level regarding our negative environmental impact been so acute.