The Children

Lucy Kirkwood is a much-lauded playwright, described as one of the best of her generation, and this production, from Black Swan Theatre, does justice to one of her most well-known plays. Well-acted and thoughtfully directed, this production is well crafted and fascinating to watch.

This is the second production of this play in Perth, the first being Theatre 180’s excellent pre-Covid production, performed in a tiny venue, and unfortunately not widely seen. Black Swan allows this story to reach a bigger audience.

While it lacks the intimacy of its predecessor, designer Bruce McKinven’s proscenium within a proscenium set design makes the huge Heath Ledger stage into a cosy space, creating a comfortable cottage room within a dark unknown space - physically representing the timing of the play which is set in the wake of a nuclear disaster. Matt Marshall has created an emotive lighting design while subtle sound design and composition by Rachael Dease supports the feel.

Strong, very believable performances from the trio of performers. Nicola Bartlett is outstanding as Hazel, a retired nuclear physicist whose desire for perfect health dominates her day. She is surprised by a visit from former colleague Rose, played with excellence by an aged-up Caroline Brazier, Hazel’s opposite in many ways, who brings an unexpected proposal. Humphrey Bower has less to do than the women in this play, but delivers a strong performance, and plays Robin’s complex relationship with the two women, with depth and conviction. 

A fascinating story that asks many questions about life and the environment, it is a must see for anyone that loves great storytelling. Simply very good theatre.

Kimberley Shaw

Photographer: Philip Gostelow