Reviews

The Athenaeum is the perfect Theatre for this brilliantly staged work.   All production values are in place to facilitate suspension of disbelief and immersion in the creepy ‘old world fear’ of a ghostly apparition.   The marvelous picture book set by John Kerr with lots of quirks and illusions is really the fourth character of this stunningly eerie production.

Sport for Jove’s acclaimed outdoor production of Cyrano in 2013 here returns, now indoors and well spread across the thrust stage of Sydney’s York Theatre, Seymour Centre, before touring beyond.  The cast is mostly the same but director Damien Ryan now also fills the shoes of Yalin Ozucelik in the lead.

It’s 1941.  A Jewish ghetto somewhere in Eastern Europe.  A famous example (there were a thousand ghettos): the Warsaw Ghetto - four hundred thousand Jews packed into three and a half square kilometres.  In the face of constant fear of execution, deportation, mistrust of their own Nazi-approved leaders, their Judenrat (Jewish Council), hunger, the stench of bad sanitation disease and simple, straightforward despair, ‘culture’ - art, music, literature and theatre continues – must continue.

Everything in Suzie Miller’s new play is not what’s expected. For example, it’s title. Sunset Strip, the name of the holiday spot where Ray brought up his two girls, Phoebe and Caroline, is now a dust bowl, the lake completely dried up. Audiences should approach the action, the characters and everything they say with utmost caution.