Brothers Wreck

It seems appropriate that in NAIDOC Week, when we are celebrating Indigenous achievement, that we should see such a strong production from Yirra Yaakin Theatre Company. Expertly written by Jada Alberts, this strong script is performed with beautifully crafted performance, in a show with strong production values.

Set in Darwin, young Aboriginal man Ruben wakes up to the tragic death of his cousin. We learn that this is the latest in a string of tragedies that have traumatised this family, and the effect of this trauma over several generations. An examination of how people deal with death, Ruben’s family gradually bring him back from the edge.

While in many ways this story could be about any family, this is also a very Aboriginal story, with references to land and culture and traditions of ancestors.

Bryan Woltjen’s multi locale set feels very “Top End”, with the deliberate slant on the set giving us a feeling of unease. The fabric choices on the costumes celebrate indigenous culture. Rachael Dease gives us composition and sound design that feeds the intensity while Mark Howett makes strong lighting choices.

Tyren “Tre’ Maclou in the catalyst role of Ruben is outstanding, bringing us much more than an “angry young man”, eliciting sympathy in a performance of great depth. Jessie Ward is strong and convincing as sister Adele, while Mark Nannup brings conviction to her husband Jarrad. Rubeun Yorkshire brings a measured, almost understated performance to counsellor David, gradually revealing a horrible back story. Della Rae Morrison beautifully inhabits a wonderful Aboriginal Auntie as Petra, delivering tough laugh and hard messages, while conveying great warmth.

Director Maitland Schnaars and Assistant Director Bruce Denny have drawn out excellent performances - although I felt that direct address to the audience was overused - especially when the moments of eye-contact - most notably between Tyren ‘The’ Maclou and Della Rae Robinson were stunning.

This moving play with strong storytelling is not getting the audiences it deserves and it is somewhat an undiscovered gem. Do yourself a favour and check it out. 

Kimberley Shaw