Breaker Morant

It has been over two decades since we have seen Breaker Morant on stage in Perth, with the last incarnation also directed by Garry Lawrence, that time for Playlovers. Not easy to cast, with over a dozen men needed, this historical drama is both historical documentary and a courtroom drama. 

Set predominantly in the Pretorian courtroom housing the court martial of Harry ‘Breaker’ Morant and other soldiers, the director gives us a simple but realistic set that caters for the central locale, as well as occasional scenes in Morant’s cell and Lord Kitchener’s office. John Woolrych’s lighting is highly emotive without being “showy” and Merri Ford has done a good job in tracking down elusive military costumes and Boer War era dresses - although I found the choice to allow characters to wear hats in a court room a little anachronistic.

The challenging central and title role is mastered by Mitchell Lawrence, returning to the stage after an absence. A laid-back, cocky but likeable bloke, he anchors the show with skill.

Co-accused, country vet Peter Handcock is believable in the hands of Matt McKail who gives his character bloke charm. George Whitton, the third charged character, is more upright and reticent, well-portrayed by Rob Gander.

Defence lawyer Major Thomas is played by Andreas Petalas, who gives us a dynamic, energetic, and intelligent performance. Tim Fraser plays prosecutor Major Bolton as clever but measured - sympathetic despite working against our hero (or antihero). Rex Gray leads court proceedings with efficiency as the President of the Court.

The various witnesses and supporting characters have minimal time to establish character, but without exception give us a glimpse of these people’s lives in realistic and distinct portrayals (despite a few suspicious looking beards and questionable hats). Good solid cameos from Neil MacKintosh, Ron Arthurs, William Brook, Daniel Goodison, Murray Ingram, Ashish Malik, Clayton Mitchell, and Andrew Smalley - many playing multiple roles.

The vastly outnumbered women also perform well, with Naomi Ottley successfully playing Harry’s two loves, Daisy Bates and Katherine as two very different women, and Richa Vinod working hard as the Court Secretary.

Sound design includes an impressive piano solo from Isabella Lawrence.

An interesting production that sheds light on the controversial final exploits of Breaker Morant and fellow soldiers, it is well performed and efficiently directed. A must see for lovers of Australian drama and history buffs. 

Kimberley Shaw