The Boys in the Band

The Boys in the Band, first performed in 1968, was a ground-breaking play in its day, being one of the first plays to deal with gay themes - depicting homosexual friendships and anxieties. Recently revived on Broadway, and released as a movie last month on Netflix, this Graduate Dramatic Society production is the first in Perth since 1970.

While now decidedly a period piece, with its gay theming no longer controversial, The Boys in the Band remains an interesting play for its history, and includes some challenging roles for its all male cast. GRADS have decided to use the original 1968 script, a product of its time, which means that some of the language is dated and there is racist and anti-Semitic sentiment, which feels a little unnerving.

Performed on a two level set, we see the New York home of central character Michael. While the text suggests that Michael is living beyond his means, we see little of that, but the setting does nicely suggest the late 1960s. Jenny Prosser’s costuming is well grounded in the era, with nice nods to character and some homage to the recent film. Played almost in real time, the action takes place at a birthday party for Michael’s friend-of-sorts Harold, and the guests are a range of gay men.

Thomas Dimmick is a very familiar face for Perth theatre goers, but this show is his first in a leading role. Thomas plays central character Michael, a very demanding role, to which he gives great depth. Michael is an unusual leading man, as the character does not like himself - making it very difficult for the audience to sympathise with him. Nevertheless, Thomas Dimmick makes Michael very watchable.

Jason Dohle gives a convincing and layered performance as Donald. Cameron Leese has a lot of fun with the extremely flamboyant, very campy Emory. A believable, complex partnership is created by Robert Jackson as conservative, “passing” Hank and Steven Hounsome as wayward partner Larry. Erik Bibaeff creates an emotive and well rounded performance as Bernard.

Alex Ripper plays the very difficult catalyst role of Alan, a straight friend of Michael’s whose appearance at the party is unexpected and upsetting. A strong performance with an interesting journey. Lindsay Crane makes a promising community theatre debut as Cowboy, a very pretty young party boy who is a gift for birthday boy Harold - played by Adam Poole.

Myles Wright has composed an original soundscape for the production that adds a great deal emotively to the play, adding dramatic tension. Mark Nicholson’s lighting design is particularly strong.

While this is certainly not a pleasant or a feel-good show, this important piece of theatrical history, well performed and directed is a rewarding experience for the audience.

Kimberley Shaw