The Boy From Oz

The Boy From Oz is a huge exciting celebration of the life of Peter Allen. Platinum Entertainment gives us a production that dazzles and delights its Covid Capacity audiences. Highly polished, expertly and excitingly performed - this production is a treat.

Ethan Jones is an amazing Peter Allen, owning this show with a stunning portrayal of the title role. A consummate performer, Jones works the audience with great style, sings superbly and finds a depth of character, giving us an exhilarating focus for the show. If this production was being performed on the East Coast (or perhaps simply outside a pandemic), this would be a star-making performance - and it is a shame that few people with industry clout will get to watch this outstanding performance. Those who do should feel very lucky.

Wonderful performances from the women in Peter’s life. Casey Edwards is a gorgeous Marion Woolnough, with a beautifully layered performance that touches hearts. Lucy Williamson lights up the stage as Judy Garland with a look-alike, sound-alike performance that is simply stunning. Elethea Sartorelli reprises the role of Liza Minnelli  - and is once again brilliant, filling the bigger space with amazing pizzaz.

Young Peter was given sparkle and cheeky charm by Lucky Farrell on Opening Night. Some audiences will see alternate Peter, Zak Rolton.

Peter Cumins is wonderful as Peter’s partner Greg, and the Angels, Carrie Pereira, Melissa Erpen and Sophie Foster sing gorgeously with beautiful harmonies while adding glamour and glitz. Lots of top-notch performances in smaller roles.

The ensemble is strong, with great voices and some stunning dances. Highlights include the fabulous Rockettes scene - with a fabulous kick-line - but all musical numbers are strong, with some dynamic choreography from Para Isido and strong musical direction by Joe Louis Robinson.  Lovely work also from the children’s choir, whose brief appearance is very moving.

Robinson leads a ten piece band, almost visible on stage. Sound is great, with beautiful balance throughout.

Technically tight, this is a visually excellent production A multi-level set, dominated by an amazing white grand piano, transforms to a multitude of locations with the help of outstanding projections - lit to perfection by designer/producer Trevor Patient. Costumes, supervised by Dani Paxton, are dazzling.

The Boy From Oz is a show that benefits from “bigger is better” and this big, bold production from Platinum is packed with talent, and would shine in any field.

Kimberley Shaw