Reviews

Headstones and eerie, blank-faced, white clad figures line the way as the audience is ushered along Cemetery Lane to Dural Musical Society’s production of The Addams Family. Their small stage is converted to the lonely home of the macabre characters that entertained television audience over 64 episodes between September 1964 and April 1966.

‘Move over Wentworth,’ says the publicity blurb for this production of Hilary Beaton’s play (published 1984) about seven women locked up in a gaol.  In fact, television series Wentworth is a ‘re-imagining’ of the Australian television series Prisoner, which debuted in 1979 and ran for 692 episodes till 1986.  Ms Beaton’s characters are not a copy of the television show, but given similar themes – shifting power relations, strategic alliances, injustice, dominance and dependence, frustration and boredom, the need for sex,

Impersonal Space is a completely new work by South Australian playwright Emily Steel and is produced by Tutti Arts and Company AT (Autistic Theatre).

It is a triumph on numerous levels. Firstly, it exemplifies the powerful healing possibilities that are inherent in the theatre, for all participants, audience and actors. In this case all the actors are those with a particular autism – and they are all marvelous.

Chess the musical is not unlike the game it depicts - deceptively and demandingly complex. The music is difficult, the movement requires focused and adroit choreography and its performers need both the acting and vocal chops to do its tension fuelled scenes and songs justice. A lot can go wrong in this production,and it can be hard to find the people needed to get it right. OSMaD found them, and have presented what is a powerful and consistently interesting production of a very challenging piece.