Reviews

These are stories and songs of a daughter’s relationship with her mother: transcending the separation between England and Australia, revealing the differences and commonalities across three generations of mothers.

Campbelltown Theatre Group’s Chicago is a skillfully polished brilliant production that cleverly evokes the style of the late ‘90s professional revival. Permeating this show is a lively pace, dark humour, and sassiness (not the negative-meaning “sass”).

For those unfamiliar with the 90s revival, that was the version which went for the sparse stage and with black being the dominant colour for costumes and set, the “much shorter skirts” being the basic style. Angela Cascarino’s costumes and set brilliantly achieve their goal.

Operating since 2015, Scratch Arts presents itself as Melbourne’s primary contemporary and ‘queer’ production house. Known for workshopping theatre, Murder Off a Duck’s Back presents rather like a sixty-minute workshop piece, and on opening night, it was obvious that the four, multi-character players were still polishing this piece. As they promise, this is a piece for absurdist fans, for absurd it is, right down to the very stylised clown make-up, and the leading ‘lady’ having a beard and moustache.

Suddenly songs such as “Sherry”, “Big Girls Don’t Cry”, Walk Like A Man” and many others have a different depth to them after watching this very good production of Jersey Boys. This is the complex story of one of the best known and successful bands of the 1960s from their rise from obscurity to fame and fortune and of falls from those heights. After many name changes and failures, things changed when teenager Frankie Castelluccio joined the group and was trained by one of the band.