Blue/Orange

Blue/Orange
By Joe Penhall. Theatre 180. Directed by Stuart Halusz. Burt Memorial Hall, Perth, WA. Aug 20- Sep 3, 2022

Theatre 180’s Blue/Orange is an expertly constructed, cleverly directed and beautifully performed drama, that keeps its audience intrigued and fascinated throughout. Performed in the round in the intimate confines of Burt Memorial Hall, patrons are close to the action and feel drawn into the world of this Olivier award winning play.

Christopher is on the verge of release from psychiatric care, even though he still appears to be struggling, including believing that oranges are blue. While his psychiatrist Bruce believes that Christopher needs to remain in hospital for further care, the consultant Robert believes he should return to “his community” and is worried that the NHS simply doesn’t have enough beds to keep him in hospital. A highly charged play that deals with mental health, racial and ethnic prejudice, the stigma of diagnosis and the shortfalls of government healthcare.

This small ensemble cast includes three outstanding performances, that have an outstanding give and take between the three characters - each one shining and powerful. Tinashe Mangwana is highly dynamic as patient Christopher, swinging from highly agitated to subdued - a very memorable performance. Jarryd Dobson wins audience sympathies as young doctor Bruce, seemingly doing his best, in a wonderfully layered portrayal. Andrew Lewis, always superb, reveals the character of Robert beautifully and gradually in a very captivating performance.

Neil Sherriff’s raised hospital consulting room setting is simple but very effective, and beautifully finished, lit to perfection by lighting designer Garry Ferguson. Noah Ivulich has created a clever, organic, and sometimes disturbing sound design and composition that gives voice to unstated feelings of both characters and audience.

Expert storytelling, brought to life with heartfelt direction and fine, well-crafted performances. A show that leaves you thinking. Well worth seeing.

Kimberley Shaw

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