Reviews

Growing up on an indigenous reservation in Canada is not much different, it seems, from growing up on similar reservations in other countries. Cut off and isolated from the mainstream by legislation, distance and lack of opportunity, some adults turn to drink and abuse. Kids ‘huff’ (sniff) gasoline, sneak porn magazines and find a secret place to read them – in this case, an abandoned motel – a place to hide from the realities of a dysfunctional world. But wherever they go the ‘Trickster’ – bad luck, misfortune, adversity – finds them.

According to Wikipedia, this is the 48th play that David Williamson has unleashed upon us. Not to mention his 24 or so screenplays. Odd Man Out is due to run for two months at the Ensemble with many shows already booked out. And with news that his 2015 play Rupert could well be getting the Hollywood mini-series treatment, the 74-year-old playwright has never been more, well, hot.

Presented by the Young Australian Broadway Chorus, the musical theatre program of Stage School Australia, this is a lively show with great ensemble numbers and some strong solos, suitable for the whole family.

This feel-good musical is based on the Hans Christian Andersen tale, The Ugly Duckling. We follow the self-discovery journey of Ugly, David Duketis, born into a family of farmyard ducks. He is clearly different, but as the story progresses, he and all the other animals learn that is something to celebrate.

WAYTCo, The WA Youth Theatre Company, presented The Lonely Playground, a devised theatre piece for FringeWorld.

Perhaps slightly a misnomer, The Lonely Playground is set on a bus – an exploration of loneliness, relationships and interactions in the playground/journey of life. I imagine that the play developed in a different direction from what was originally intended – a peril of devised theatre that needs to be titled months in advance.