Reviews

Virgins and Cowboys

By Morgan Rose. Motherboard Productions and Griffin Independent. SBW Stables Theatre, Sydney. 30 November – 16 December 2017

Over beers, three cowboys (ordinary blokes) chew the fat. It seems that Sam, a lowly Subway employee, has met two different women online, both of whom are virgins. What should he do? This is the light-hearted starting point of Morgan Rose’s study of female sexuality, which has come up from Melbourne’s FLIGHT Festival of New Australian Writing. It doesn’t stay light-hearted for long.

Earshot

Created by Kate Hunter and collaborators. 45 Downstairs (Vic). 30 Novenber 30 to 3 December, 2017.

Earshot is truly unique as an interesting rich idea - cleverly developed, realized and seamlessly presented with wit, humour and irony by Kate Hunter.

Two performers (Kate Hunter and Josephine Lange) dressed in fairly neutral blacks work in beautiful well-oiled synchronicity to play with the spoken word.

Oliver!

By Lionel Bart. Huon Valley Theatre (Inc) Tasmania. Huonville Town Hall. Directed by Rod Gray, Musical Direction by Sue Videroni. 17 Nov – 2 Dec 2017

Huon Valley Theatre embodies everything meritorious about community theatre. This production of Oliver! featured a vibrant and well drilled chorus (“Who will buy?”) and strong, well-cast principals.  Nathan Read’s Fagin was assured, adept in physical comedy although lacking any sense of menace. His “Reviewing the Situation” was the highlight of the show. Also notable were Tony Robbie (Mr Bumble) and Amber Jury (Widow Corney). Jury was in fine voice and the two provided a fine comic turn.

Mamma Mia!

Music and Lyrics by Benny Andersson and Bjorn Ulvaeus. Book by Catherine Johnston. Originally conceived by Judy Craymer. Presented by Michael Coppel, Louise Withers & Linda Bewick. Canberra Theatre. 30 November – 17 December 2017 and touring.

This wonderful production of Mamma Mia! is nothing short of a distillation of sheer joy. The colours, the set, the costumes, the lighting, the sound design, the choreography, the acrobatics, and of course, the music – so much care has been put into making the show truly spectacular. I walked in with some trepidation having not seen the movie or either of the previous two productions, and was a bit concerned that it might be a hastily cobbled-together plot around the content of the songs. Let’s face it, that is true.

Song for a Weary Throat

By Rawcus. Director – Kate Sulan. Theatre Works. 29 November – 10 December 2017

Rawcus’ work brings together talented dancers/performers of various abilities so seamlessly it is marvelous. 

In Song for a Weary Throat, proceedings commence with a chalk inscription being written on the blackboard of the set.  A dark, desperate and overwhelming precedent is set.  What ensues as sound is initially quite shocking (warning – loud noise).  This morphs into amazing music featuring the exquisite voices of Invenio Singers. 

Peter Pan

Film of joint production of the National Theatre and Bristol Old Vic. Cinema Nova, Carlton. And cinemas nationally. 2nd - 13th December 2017

Staging a story which has been presented as a book, many films and other theatre productions presents challenges. This one is particularly difficult because it involves flying, pirate ships and magic.

Taking Steps

By Alan Ayckbourn. Ensemble Theatre, Sydney. Director: Mark Kilmurry. 23 November 2017 – 13 January 2018

If the prolific Alan Ayckbourn has indeed written 81 plays (see Wikipedia), Taking Steps is Play No. 24, crafted way back in 1979. It’s very Ayckbourn and very English, to the point where this Ensemble production employs a Dialect Coach. What you have is a big, draughty house where the plumbing groans on three floors, and which Roland (Peter Kowitz), big in Buckets, wishes to purchase for dubious dancer/girlfriend Elizabeth (Christa Nicola).

Trek Around the World

Writers and Directors: Darren Rosenfeld & Michael Try. Trek Musicals. Musical Director: Graham Ford. Diamond Creek Uniting Church. Nov 18, 2017.

Trek Musicals, established in 2016 by Graham Ford, is an organisation which presents its musicals using karaoke technology, enabling the group to perform in any location, at any time and without the need for an accompanist or orchestra. 

Redshift

Choreography & Costume Concept by James Batchelor. Presented by Chunky Move Studios, 111 Sturt Street, Southbank. 23 November – 2 December, 2017.

Redshift is a contemporary dance performance inspired by scientific experience and knowledge that highlights small and sometimes unnoticeable changes in movement. The study of the consequences and importance of these minute details are the main focus of this piece. Movement is studied rather than performed and this results in a highly unusual pace for a dance piece, where the minute and the banal are transformed into spectacle.\

Perspectiva Artificialis

Written & performed by Fiona Rutkay, co-created with Jack Moon and with directorial advice from Jack Moon and Alice Cummins. La Mama Explorations. La Mama Courthouse, Carlton VIC. 27-29 November 2017

Fiona Rutkay has a face that would not be out of place in a Renaissance painting.  This gives an added poignancy to her show that opposes, I think, emotion, feeling, and physical experience of the world, against Euclid’s eight principles (definitions of a point, a line, a plane, and so on), that sound so abstract, and the ‘laws’ of perspective.  These laws, ‘discovered’ in the Renaissance, changed forever drawing and painting from flat two-dimensional depictions to those having an illusion of depth – that is, as the human eye does see the extern

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