Banging Denmark

I am reliably informed that this show has had some walk outs in the first few minutes, not because of the standard (it’s excellent) but because the show opens with a tirade of misogyny (and some fairly explicit language) from character Jake, as he runs a podcast about seduction. Jake, at least initially, is thoroughly unlikeable, and it is a credit to actor Ryan Emery, a relative newcomer, that he plays Jake so well, with flaws, depth, and a notable redemption arc. An excellent performance.

We gradually discover that the victim of much of Jake’s vitriol and hatred has been academic and feminist writer Ishtar - who is currently living in her office after being financially ruined by legal action from Jake. Grace Edwards is outstanding in this role, giving a performance which has complexity, range, believability, and gentle humour. 

Excellent support from Luke Osborne as Toby and Natalia Myślińska as Denise, Ishtar’s friends and former students who have a complicated relationship of their own. 

Injeong Hang plays the final role, that of the Danish Anne. It is never easy to play distant and aloof without also alienating the audience, but Injeong manages to convey warmth and hints of mischief in this enigmatic performance.

One of the most elegant sets we have seen at Camelot, this triptych of spaces. Designed by director Melissa Merchant and Jarrod Buttery, this beautifully realised design serves the show very well. Lit very effectively from a design by Rob Tagliaferri, the set is decorated with fascinating attention to detail; from the “Vote Yes” sticker on Ishtar’s door to the choice of books on the shelf, it is clear that every aspect of this production has been meticulously considered.

A captivating WA premiere that is expertly acted, intelligently directed, and thoughtfully realised, Banging Denmark is great viewing. Well worth the trip to Mosman Park, especially if you enjoy new shows.

Kimberley Shaw