Reviews

LIKE MANY people of the 1960s and 1970s I grew up with the macabre and madcap craziness of the now-cult TV series The Addams Family. In the days before Netflix and the ability to source and re-run any TV show of your choosing, we had to earnestly await each weekly program to watch the next kooky exploits of Gomez, Morticia, Wednesday and Pugsley Addams – not to mention Uncle Fester, Grandma, Cousin Ittt, Lurch and not forgetting Thing!

Writer David West Read came up with the idea for & Juliet whilst recovering from a concussion. He was not able to look at screens, so instead he lay in a dark room where he focused on listening to the 250 songs written by Max Martin – the pop composer no-one had heard of, but everyone knew though his hits.

A common thread of the songs Martin wrote for everyone from Britney Spears to Taylor Swift to Kate Perry, and many more, is heartache.  So, Read’s mind wandered to Shakepeare’s tragedy which has bucket loads of love and despair.

One of the delights of Adelaide Fringe, if you dare venture from the big names that pepper The Guide with full page ads, is seeing very fine theatre, dance, or other artforms from artists on small budgets, with (sadly) often smaller audiences.  For a number of years there has been ongoing discussion among the artistic rank and file about how to address problems of commercial shows and corporate interests making Fringe a difficult gig for independently-produced shows.  Case in point: Mark Penzak (Victoria) has brought a tight, professional show to town for its SA premiere

Skye Scraper: The Life and Times of a Drag Queen Accountant is a sixty-minute audience with Ethel Merman, Anne Miller, and Joan Crawford all in one woman!

Skye bustles in seemingly late to the performance. At seven foot tall and wearing a business-like pants suit with more than a touch of bling, flaming red hair and the widest shoulder pads I’ve seen since Mommie Dearest, she is certainly eye catching!