Annie

Roleystone Theatre’s Annie was lucky to reach the stage. A fraught rehearsal period left the show rehearsing in half a dozen different venues, waiting for their home theatre to be repaired. When it was discovered that the theatre could not be used, there was a last minute scramble to find a venue. They are currently playing an (interrupted) run at Kalamunda Performing Arts Centre. Despite their fraught labour, Annie is a great little show, with excellent production values and some impressive performances.

Bella Freeman is a delight in the title role. A spunky, animated performer who charms the audience and sings beautifully. Her best friend Sandy is played by standard poodle Guinness, well trained by Angela Wright.

Half a dozen orphans blend toughness with a heap of cuteness. Lovely work from debut performers Keely Crugnale (Pepper) and Jemima Lee (Duffy) as well as Rhianna Abu Lashin (July), Tahli Redgwell (Tessie), Kiara Chidgzey (Kate) and the indomitable Emmy Bekink (Molly). 

Peter Knol captures the transformation of Oliver Warlocks from ruthless mogul to “Daddy”, nicely paired with a very elegant and efficient Celeste Underhill (who looks born to this era) as Grace. 

Katt Nelson, in a stunning community theatre debut, successfully brings new ideas to Miss Hannigan, while Tim Tyrie and Madeleine Shaw are strong, and audience favourites, as Rooster and Lily - with  the trio “Easy Street” a highlight.

Zachary Cave belies his youth and inexperience to create a convincing President Roosevelt, in another strong community theatre debut.

A small ensemble are kept very busy, with most playing multiple small roles. Chris Alvaro has a marathon of a show playing about ten roles and giving each a distinctive character. Mikaela Innes is a fabulous Star-To-Be among her many roles, with all of the ensemble focused and clear.

Schoolgirl choreographers Connie Wetherilt and Ebony Uetake step well beyond expectations with well constructed and appropriate choreography - nicely executed by a cast of varying experience.

Gary Wetherilt’s representative set is stylish, and there is good attention to detail in the chosen set pieces. Costuming (designed by Yvette Wetherilt and Kel Barnard) is lovely and has some surprises, thanks to a strong team. Wigs, dressed and maintained by Lynda Stubbs, are excellent.

Liam Gobbert leads a talented 8 piece band, placed in front of the stage. While Roleystone have been unable to use KPAC’s pit, sound balance is good, thanks to strong voices and good music control.

This does not feel like a show that has been plagued with problems. The sun has come out tomorrow, with a feel-good production that has been delighting audiences. Well worth using your bottom dollar to get a ticket.

Review by Kimberley Shaw