Anna

The experiences that Popov alludes to in this theatre piece are quite chilling. The psychologically corrosive effect of secretive bureaucracies and the resulting paranoia are well displayed in the narrative. Her encounters with officials and administrators are imbued with complex layers of subterfuge. The central character seeks refuge from this grim reality through the writing of fantastical stories and this becomes an interesting coping mechanism. 

The set design is beautifully conceptualised to convey the mood of the play. The dark and looming furniture often takes on an ominous and overbearing feel. The use of the desk to bring the stories to life is particularly ingenious. The figurines, objects and images that are employed allow the tales to become three-dimensional and gives these stories real character.

While the staging of the show reflects some deep intellectual thought, this seems to have come at the expense of consideration of rhythm and pace in both the text and the delivery. The contrast between the two opposing worlds created in the play could also be more clearly articulated or executed. 

Popov demonstrates some remarkable performance skills as she inhabits the various personas that occupy the narrative and this is one of the strengths of the play. The clarity with which she portrays these different characters is often amusing and striking. This also helps to establish the intrigue and suspense of the events that are narrated.

Patricia Di Risio

Photographer: Justin Koh