Reviews

The Western Australian Academy of Performing Art’s annual ‘big’ musical at The Regal Theatre is many people’s only contact with WAAPA students before they graduate. This very impressive, very tight production of 42nd Street showcases WAAPA talents beautifully, and is a wonderful public relations exercise as well as being a top-notch production.

The Athenaeum is the perfect Theatre for this brilliantly staged work.   All production values are in place to facilitate suspension of disbelief and immersion in the creepy ‘old world fear’ of a ghostly apparition.   The marvelous picture book set by John Kerr with lots of quirks and illusions is really the fourth character of this stunningly eerie production.

Sport for Jove’s acclaimed outdoor production of Cyrano in 2013 here returns, now indoors and well spread across the thrust stage of Sydney’s York Theatre, Seymour Centre, before touring beyond.  The cast is mostly the same but director Damien Ryan now also fills the shoes of Yalin Ozucelik in the lead.

It’s 1941.  A Jewish ghetto somewhere in Eastern Europe.  A famous example (there were a thousand ghettos): the Warsaw Ghetto - four hundred thousand Jews packed into three and a half square kilometres.  In the face of constant fear of execution, deportation, mistrust of their own Nazi-approved leaders, their Judenrat (Jewish Council), hunger, the stench of bad sanitation disease and simple, straightforward despair, ‘culture’ - art, music, literature and theatre continues – must continue.