All Shook Up

Last weekend saw one of the biggest theatre weekends for Perth this year, with at least nine shows opening, the biggest of which has to be HAMA Productions’ All Shook Up at Crown Theatre. Attracting great crowds despite a heap of competition (including the Dockers’ game next door), this bright show based on the music of Elvis Presley had the audience tapping their feet throughout.

A directorial debut for Vincent Hooper, this slick production with excellent production values features a talented cast, strong singing, a tight band (under Musical Director Harry Oliff), and outstanding dancing choreographed by Thern Reynolds.

All Shook Up has a surprising amount of plot for a jukebox musical with a triangle of interlinked love triangles, and dealing with the prejudice against interracial relationships and other issues in small-town America, in the 1950s.

Featuring a clever mobile set by Brian Woltjen, and some impressive lighting designed by Lucy Birkinshaw – this show has lots of clever props and set pieces.

John Berry plays Chad, a motorcycle riding, leather jacket clad, Elvis-like outsider who shakes up the town. John delivers a solid central performance that anchors the show well. Mia Simonette is lovely as Natalie, an unconventional heroine, with tomboy qualities – and is a very worthy leading lady.

Brendan Hanson brings charm to the role of Jim Haller, Natalie’s father – giving him a lovely romantic arc, while Taneel Van Zyl brings strength and elegance to the villainous Mayor Matilda Hyde.

Josh Firman (who seems to have spent most of this year in the mid 20^th century) gets back into uniform, and brings depth to Dean Hyde, determined to find love despite his mother’s swaddling. Tate Bennett is an audience favourite as awkward boy-next-door Dennis – a side-kick with a leading man voice. Clay Darius has lovely swagger as lawman Sherriff Earl.

Emma Haines gives femme-fatale vibes, playing up the sexiness of scarlet-wearing Miss Sandra. Paula Parore, unrecognisable as Sylvia, brings her gorgeous warm voice in a warm characterisation. Jade Baynes is a delight as Lorraine, in a performance that lights up the stage, while Bella McSporran as Henrietta completes the principal cast with panache.

A very strong ensemble dances up a storm, in candy coloured costumes by Nicole Marrington. Beautifully choreographed scene changes keep the show running smoothly.

Fabulous to see another high-quality local production from HAMA, employing a (mostly) local cast and thoroughly entertaining the audience. A must-see for Elvis fans (it features all the favourites), this will be appreciated by anyone who loves a fifties feel, a fun show or pure escapism. 

Kimberley Shaw