Reviews

American playwright George Brand found his concern about drones being used in warfare shifted to the ‘pilots’ who manoeuvred them from bases in the US and the scary fact that, though the drones they control hover over a countries thousands of miles away, their strike ability is a horrifying 1.2 seconds. And, that the fierce concentration demanded of the ‘pilots’ in their lonely twelve-hour shifts, leads to just as many cases of PTSD as other fighter pilots.

The incisive social realism of Arthur Miller’s writing is well fired up in this text. Here Miller focuses his attention on the inner workings of Italian-American post-war immigration. Eddie (Steve Bastoni), Beatrice (Daniela Farinacci) and Catherine (Zoe Terakes) appear as a typical successful immigrant family. Despite their struggles, they create a humble but loving home and are able to offer Catherine opportunities for a better life. However, as the story unfolds, we discover that their family dynamics harbour some dark secrets.

Shakespeare’s beloved comedy of mistaken identity, gender swapping and loves both requited and unrequited marks the first Shakespearean production to be presented in St Luke’s 62-year history. The community theatre group is enthusiastic and passionate in this offering, directed by Matthew Hobbs.

The 60 Four have bought back the boy band era with all its rich harmonies, classy tuxedoes and snappy choreography. These boys (all in their early 20s) quickly have the audience in the palm of their hands, all backed by a tight 7-piece band.

Playing to a packed house of all ages, mainly Baby Boomers, they soon have the audience clapping along, swaying, using their iPhones for a light show and dancing in the aisles. I even heard some screaming from the back.